This collection of sacred hymn arrangements are ideal for the medium to advanced violinist. They are written without accompaniment and are designed to allow for the artist's freedom with tempo and
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Published in early 1806, Kreutzer's "40 Études ou Caprices" for violin are the product of his years-long employment at the Conservatoire de Paris. Their systematic and complete reappraisal of
Based on the familiar melody, this is an engaging and lyrical chamber work for violin solo and piano, with optional strings and oboe. It can be easily adapted for flute solo with several passages
Composer and violinist Stuart Carlson was inspired to compose the arrangement several years ago after hearing an arrangement by David Downes for full orchestra, bagpipes, three female soloists, and choir.
For violin & piano. First printing. Originally composed for piano, then for brass sextet with percussion. This version remains faithful to the original. Duration: ca. 4'. Score, 6 p. and part.
This large volume contains Bach's most celebrated violin masterworks. It includes all six unaccompanied sonatas and partitas, the Concerto in A minor, the Concerto in E Major, the Concerto for Two Violins
For violin & piano. Reprint of earlier editions. From the Schirmer Library of Musical Classics series, Vol. 2114. Score, 120 p. and part. Contains major works by Bach, Handel,
This work for violin and piano is a play on the words "suite" and "bittersweet." Each of the four movements is based on a Yiddish folk song, translated as On the Road; My Resting Place; Black
Edited by Jaroslav Foltyn. For violin. Preface in Ger., Cz. ... view details
This beautiful medley of well-known Christmas carols for violin and organ may be used in either concert or worship settings. The effective writing for both violinist and organist will be a welcome addition
Professional quartets, advanced school ensembles, and string orchestras will enjoy the pieces included in this chamber music series. The first book includes highlights of classical repertoire, perfectly set
With this one-movement Concertino, Oskar Rieding turns to already advanced students of the violin. Aside from playing in third position, it also requires a considerable degree of dexterity and mastery of