Largely known for his very effective etudes, Mazas also wrote a huge amount of attractive works for various chamber ensembles. This work written in the early nineteenth century originally comes
Containing selected themes from the first movement of Symphony No. 41, this Grade 4 arrangement of Mozart's last symphony clearly shows his brilliance. Mozart's adventurous approach to the material paves
Ignaz Joseph Pleyel was a highly respected musician in his day and somewhat of an entrepreneur eventually running a world famous publishing house in Paris in the early nineteenth century. This work,
This movement of the famous "Organ Symphony" includes two of the most memorable themes ever penned by Saint-Saens. This arrangement includes the highly energetic string theme and the beautiful fugue based
These familiar uplifting themes, written for 13 wind instruments, can now be enjoyed by strings in this first-time arrangement. This is a true showpiece with many teaching opportunities.
Spotlight one of the first known classical composers of African ancestry with this incredible arrangement showcasing the music of Bologne, a Black contemporary of Mozart. Developing string players will be
Mozart's effervescent brilliance and perfection of the Classical form are evident in this movement, written in 1775 for wind sextet. The included bowings and fingerings help make this wind piece a natural
Written in 1779 after his return from Paris, Mozart’s lively Symphony No. 32 loosely follows the form of an Italian overture. Cleverly arranged here without the slow andante section,...
Here is one of Mozart's most famous quartet movements, carefully transcribed for string orchestra. It remains very true to the original in style, nuance, and bowings but is slightly shortened and transposed
This spectacular arrangement features the first movement of Dvorak's well-known "Symphony No. 8." While the arrangement has been made accessible to younger ensembles, it retains all the expressiveness and
This exceptional arrangement will give more developed string musicians a broader knowledge of the classical repertoire as well as experience with Baroque-style playing techniques.
This delightful Serenade in D was completed in 1769, when Mozart was a mere 13 years of age (an ideal fact to share with young students)! The first movement, even though composed at such a young age,
Mozart's Symphony No. 17 was composed in 1772 when he was just 16 years old. Originally for oboes, horns and strings, this string orchestra arrangement of the first movement has maintained the
The lively allegro molto from Schubert's Sonatina Op. 137, no. 1. Originally composed for violin and piano, this familiar piece of solo literature has been arranged for
A medley for string orchestra, including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); and Symphony No. 25.
The added viola part includes melodic lines. All parts are playable in first position except occasional fourth position for cellos. Opportunities abound for students to polish Baroque bowing techniques.
Originally composed for string quartet in 1922, Andante festivo was rescored by the composer in 1938 for string orchestra with timpani. The work emphasizes the warmth and rich sonority of the
Written by Mozart during his first concert tour of Italy at age 14-15, this well-known work was written in the style of an Italian overture of the time. This noteworthy arrangement is extremely accessible