This volume offers a refreshing alternative to the many Italian Songs and Arias collections geared toward young singers. It celebrates women composers of solo music in Italian beginning in the late
Extracted from "Flight," the original modern-day operatic comedy with libretto by April de Angelis, this aria for countertenor also known as the Refugee's Aria tells of a refugee's longing to
This deeply expressive arioso opens Handel's Ode for the Birthday of Queen Anne, which was written circa 1713. It is best known, more recently, for its use in the royal wedding of Meghan Markle and
"With distinguish'd glory shine, to add a lustre to this day." In 1713, Handel set this joyful text to one of his most exquisite melodies. A tender work of extraordinary grace, Eternal Source of Light
A repertoire anthology of opera arias from roles specific to the lyric bass, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects of
A repertoire anthology of opera arias from roles specific to the lyric-dramatic bass, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical
A repertoire anthology of opera arias from roles specific to the dramatic bass, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects
A repertoire anthology of opera arias from roles specific to the alto, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects of
A repertoire anthology of opera arias from roles specific to the dramatic mezzo-soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the
A repertoire anthology of opera arias from roles specific to the tenor, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects of
A repertoire anthology of opera arias from roles specific to the lyric-dramatic tenor, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical
A repertoire anthology of opera arias from roles specific to the lyric-coloratura soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the
A repertoire anthology of opera arias from roles specific to the lyric baritone, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical
A repertoire anthology of opera arias from roles specific to the lyric soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects
A repertoire anthology of opera arias from roles specific to the lyric-dramatic baritone, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the
A repertoire anthology of opera arias from roles specific to the dramatic-coloratura soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the
A repertoire anthology of opera arias from roles specific to the dramatic baritone, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical
A repertoire anthology of opera arias from roles specific to the dramatic soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical
Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential, singers with a lower voice and a special talent for the trouser role through to the heroine
This invaluable collection features editions for the soprano, mezzo-soprano, tenor, and baritone voice taken from contemporary American opera featuring composers David Conte, Daron Hagen, Libby Larsen,
For baritone & piano. This edition contains the great monologues, arias and ariettas that Rameau wrote for basse-taille (the 18th-century equivalent of today's baritone). The volume, which contains a