Aria Vocal Collections

This deeply expressive arioso opens Handel's Ode for the Birthday of Queen Anne, which was written circa 1713. It is best known, more recently, for its use in the royal wedding of Meghan Markle and

A repertoire anthology of opera arias from roles specific to the dramatic mezzo-soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the

A repertoire anthology of opera arias from roles specific to the lyric-coloratura soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the

A repertoire anthology of opera arias from roles specific to the lyric soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects

A repertoire anthology of opera arias from roles specific to the dramatic-coloratura soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the

A repertoire anthology of opera arias from roles specific to the dramatic soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical

Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential, singers with a lower voice and a special talent for the trouser role through to the heroine

This invaluable collection features editions for the soprano, mezzo-soprano, tenor, and baritone voice taken from contemporary American opera featuring composers David Conte, Daron Hagen, Libby Larsen,

Edited by Sylvie Bouissou, Benoit Dratwicki and Julien Dubruque. For soprano. This volume includes selections from: Acante et Cephise; Anacreon; Castor et Pollux; Dardanus; Les Fetes de l'Hymen et de

Edited by Benoit Dratwicki, Julien Dubruque & Sylvie Bouissou. For soprano & mezzo-soprano. Like Volume 1, Volume 2 contains the lyric soprano parts for the main characters.  Vocal solo

The third volume of Rameau's Operatic Arias for Soprano includes "light roles" from prologues and divertissements, intended to be sung by light lyric sopranos and coloratura sopranos. This volume

Although these arias are sung by the character Alyce, in the production they represent the younger and older versions of herself and are played by two different singers. Young Alyce sings My Darling