This introduction to art song in English, French, German, Italian, and Spanish is the perfect collection for teaching advanced high school students as well as college freshmen and sophomores. Beyond art
These delightful songs on the theme of travel are a perfect fit for young developing treble voices in middle and high school. The ninth in a series of similar vocal solo collections, each of which is age
With texts written by Hila Plitmann and inspired by a reunion of musician friends in Germany, each song in this suite is a poetic postcard that captures every lush, romantic moment in full. Originally
A dynamic collection of 20th-century and standard English and American art songs for developing singers. Available for soprano, mezzo-soprano, tenor, and baritone, with unique repertoire for each voice
The vocal and musical abilities of high school and college singers have guided the song choices in this series. These volumes introduce classical voice students to 20th-century American art songs through
Joan Boytim has selected some of the easiest songs in English from The First Book of Solos series and transposed them for different voices, making them accessible to more students. Additionally,
The poetry of Emily Dickinson is especially appealing due to the wide range of topics, diversity of mood, and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous,
Letters from Edna presents eight letters sent by the great American poet Edna St. Vincent Millay to members of her family, friends, and business associates. The letters describe the people Millay
The title of the song cycle A World Turned Upside Down comes from an entry in "The Diary of a Young Girl" by Anne Frank, reflecting the sense she felt of her world being upturned when suddenly the
Compiled, edited, and arranged by Patrick M. Liebergen, A Soprano's Duet Book features ten masterwork duets that represent a wide range of styles and composers from the Baroque, Classical, and
This deeply expressive arioso opens Handel's Ode for the Birthday of Queen Anne, which was written circa 1713. It is best known, more recently, for its use in the royal wedding of Meghan Markle and
Originally conceived as a set, this collection of songs is based on the writings of Willa Cather and Carl Sandburg. The Sandberg texts are all excerpted from the poem Prairie and fill in the
Emily Dickinson has her tongue firmly in her cheek in these three poems. There is serious purpose under the lyrics, but the surface is pure wordplay. She juggles the terms “forgetting” and
A short song cycle using an unaccompanied solo soprano to vocalize the fanciful and magical poems of E.E. Cummings with glissandi, whistling, ghostly whispered notes and long melismas drawing out the sounds
Part of a series of operatic aria anthologies subdivided by vocal register, this collection is drawn from Antonio Vivaldi's surviving musical works for the theater. Its sources include 24 musical dramas,
A cycle of songs for mezzo-soprano and piano set on texts by Marilyn Kallet. Also included in Cipullo's collection Songs for Mezzo-Soprano. Titles include: Why I Wear My Hair Long; Saying
"Mother to Son" is based on the powerful poem by Langston Hughes. The mother (voice) is a strong woman, one who has persevered and is still climbing, still surviving: "Well, son, I'll tell you: / Life for
Emily Dickinson's nature–inspired text has sparked the creativity of many song writers. This newly engraved 2020 version of Perera song cycle is available for mezzo-soprano with piano or with
This song cycle is, in part, a mediation on what it means to be a mortal being who exists in time. The first and last movements each present a different take on looking back, and the cycle moves backward in
A solo art song for mezzo-soprano and piano on a poem by John Boyle O'Reilly. Also included in Cipullo's collection Songs for Mezzo-Soprano.
A stand-alone art song for mezzo-soprano and piano on a text by Linda Pastan. Also included in Cipullo's collection Songs for Mezzo-Soprano.
Renowned pianist, opera coach, conductor, teacher, and writer Kathleen Kelly commissioned composer Juliana Hall to set her poem "Tornado" as an art song, which was premiered by soprano Caitlin Lynch with
Termed a "dramatic song cycle," by the composer, the singer portrays five roles (4 male, 1 female) in this 25 minute monodrama. The libretto is sometimes spoken, more often sung, and distills what was a
Cipullo's vocal works continue to garner attention and performances worldwide. The works in this volume were composed over more than 15 years and are arranged into four groupings. Late