Opera Arias, Vocal Scores and Solo Collections

These groundbreaking anthologies of arias for each voice type collect arias and role excerpts from operas of the 20th and 21st centuries. Composers include John Adams, Benjamin Britten, Carlisle Floyd,

The most celebrated arias from the operatic repertoire are presented in seven volumes. Each volume is dedicated to a specific voice type and contains unique content. Volumes: Lyric Coloratura to Lyric

The third volume of Rameau's Operatic Arias for Soprano includes "light roles" from prologues and divertissements, intended to be sung by light lyric sopranos and coloratura sopranos. This volume

A 15 minute monodrama constructed from Juliet's well-known soliloquys from Shakespeare's Romeo and Juliet, beginning with the famous balcony scene. The piece follows Juliet from her

Cantolopera is a publishing project devoted to students, professionals and enthusiasts who wish to approach the great vocal repertoire for practicing, performing, or simply singing opera arias. These

This invaluable collection features editions for the soprano, mezzo-soprano, tenor, and baritone voice taken from contemporary American opera featuring composers David Conte, Daron Hagen, Libby Larsen,

An excerpt from the Western opera "Riders of the Purple Sage" based on the novel by Zane Grey, this triumphant aria about the hope of love is scored for tenor and piano.

Edited by Sylvie Bouissou, Benoit Dratwicki and Julien Dubruque. For soprano. This volume includes selections from: Acante et Cephise; Anacreon; Castor et Pollux; Dardanus; Les Fetes de l'Hymen et de

This collection contains the pieces performed by the great Italian tenor in the biopic film "Pavarotti" directed by Ron Howard, which was released in June 2019. The tracklist is composed by 23 titles,

For baritone & piano. This edition contains the great monologues, arias and ariettas that Rameau wrote for basse-taille (the 18th-century equivalent of today's baritone). The volume, which contains a

Pasatieri's 18-minute monodrama draws its text from the monologues of Shakespeare's Macbeth. Heartfelt, dramatic, and at times artfully atonal, Pasatieri brings the words of Shakespeare

Although these arias are sung by the character Alyce, in the production they represent the younger and older versions of herself and are played by two different singers. Young Alyce sings My Darling

Young Thompson was captured as a POW in the Vietnam War. Now, as Old Thompson, he sings the Catalogue Aria after receiving a letter from Richard Nixon which warns that he might find some

The Bride of the Moor is a monodrama for soprano and piano by Thomas Pastieri, celebrated composer of many operas that have become standard repertoire. Following The Daughter of

Edited by Benoit Dratwicki, Julien Dubruque & Sylvie Bouissou. This volume contains the second half of the great monologues, arias and ariettas that Rameau wrote for haute contre, and which are sung