This well-known showpiece features a good variety of styles and a short cadenza.
This highly technical solo is a standard work for clarinet, appearing on many state lists.
An intriguing mixture of intellect and fun. Colors influence moods and emotions as well as one's sense of taste and time perception. This suite of five character pieces for bass clarinet and piano musically
Very famous work in the clarinet repertoire... a technical tour de force.
This collection, compiled by Todd Levy, principal clarinet of the Milwaukee Symphony Orchestra, includes some of the most popular clarinet repertoire by French composers. This book is a collection of
To mark the 250th anniversary of Schott Music, these treasures have been uncovered from the archives, re-edited and presented in these beautiful editions. This anthology is aimed at intermediate to advanced
Kui is a polysemous figure in ancient Chinese mythology named for the legendary musician "Kui" who invented music and dancing and for the one-legged mountain demon or rain-god variously said to resemble a
Contents: Grand Duo Concertant, Op. 48 (Weber); Variations, Op. 33 (Weber); Fantasy Pieces, Op. 73 (Schumann); Clarinet Sonata (Mendelssohn); Second Sonata, Op.
Morsel is one of several short works Frank Sidorfsky has composed for clarinet. We are very pleased to offer the first publication of this delightful piece.
The score for the Riverboat Sonata bears no date or dedication, but all clues indicate that it was written for Benny Goodman sometime during the 1960s when he and Powell were both living in New
Schelb's four-movement work, closest in style to that by Paul Hindemith among the well-known clarinet sonatas of the 20th century, captivates with its distinctive originality, strong inventiveness, and the
Diverging from the classical-romantic tradition, Brahms used the key of E-flat major here not to express the heroic or monumental, but to obtain lyrical, chiefly restrained characterizations. The
The three movements in this piece are unified by similar compositional elements and motifs but contrast in style and character. The first movement (Scherzo) jokes and jabs with jagged lines and
Critical edition with detailed performance notes by Charles Neidich.