All hands on deck! Building on the success of the Sea Shanty Trios book, these 21 quartets for any combination of wind and percussion instruments expand the range, instrumentation, and length of
These newly arranged quartets written at Grades 1.5 to 3 are designed to be used with any combination of four instruments - the possible combinations are endless! Play these quartets as traditional
This exciting piece in the classical style will evoke the sound of the greats in your clarinet quartet. This composition was created with the help of a contribution from the Music Investment Fund, an
This exciting piece in the classical style will evoke the sound of the greats in your clarinet quartet.
Long before there was a Tin Pan Alley, there was the popularity of Parlor Music. This was an entertainment form that had its heyday in the 19th Century. A good portion of the American public had extra money
Leontovich and Wilhousky's extremely popular Carol of the Bells is now available in Carl Fischer Music's Compatible Series. Arranged by Larry Clark, string and wind players alike can now play this
A spirited rendition of three familiar holiday carols with a bell theme scored for assorted chamber ensembles. A great seasonal choice for any worship service or performance venue. Titles include: I
This flexible collection is a terrific resource for student groups, church musicians, family musicians and more. These Grade 3 arrangements are fully interchangeable and contain well-known classical
This collection contains 21 quartets in a variety of styles from classical to folk and includes original pieces that will be fun to play with any combination of four wind instruments. Quartets are a great
Czech's in the Mail Polka by Kevin Kaisershot was written as a tribute to the German-Czech style polkas that the composer became so familiar with during his undergraduate years at the University of
This exciting medley of the most famous and widely used Easter hymns is arranged for multiple ensembles with piano accompaniment. The melodies that are used and often intertwine with each other in
This lovely carol dates from 15th century Germany. Both words and music are from unknown sources, but Michael Praetorius' harmonization of the carol in 1609 remains virtually unchanged. This arrangement for