Written for piccolo virtuoso Christine Erlander Beard, Haven for piccolo and piano was written in response to a difficult time in the performer's life. She expressed that her one escape from her
Senchuk had long held a desire to venture into the jazz realm in composing, and his new Concertino was the perfect excuse. Though he avoids any use of improvisation, he says he "relied heavily on jazz
This collection of essential flute solo music was selected and edited by legendary flute artist and teacher Sir James Galway. This volume contains these works by Philippe Gaubert: Fantaisie;
Paula Robison's collection of Sparklers offers an elegant dessert tray of fin de siecle treats from the Golden Age of Piccolo showpieces and two transcriptions from Kreisler's best-loved violin
In addition to Giulio Briccialdi's important contributions to flute making, this virtuoso arrangement of the popular theme became one of his most enduring legacies. This exclusive edition of Carnival of
Expression for Flute is an original concert piece for flute and piano written by Jack Normain Kimmell. This masterful piece evokes a feeling of unease with its use of atonality and
World-renowned flutist, Robert Stallman says, "Chopin transports us into a realm of mystery, of peace, and celestial beauty." Robert Stallman has long made it his mission to expand the flute repertoire with
Georg Philipp Telemann composed 36 fantasias for solo instrument: twelve each for traverse flute, violin, and viola da gamba. While those for flute and violin belong to his most popular works today, the
One could hardly find a more perfect title than Velvet for this warm and rich vocalise for alto flute with piano, a stand-alone slow movement evoking a love song or lullaby. In keeping with this
Sir James Galway became acquainted with this short, but brilliant encore of Reichert's while visiting Albert K. Cooper at his home in south London. This new exclusive edition presents the work as performed
From among Reinecke's abundant oeuvre, a very few works have from the beginning maintained their position in the concert repertoire. First and foremost among these is the Flute Sonata op. 167 with the
Paganini’s Caprice No. 24 (originally for violin) is the famous theme and variations on which countless composers have written their own “Paganini Variations.” When Jasmine Choi recorded
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Long beloved in its original scoring for violin and orchestra, Sarasate's Zigeunerweisen oozes with Hungarian soul and fire. Jasmine Choi's flute transcription retains all the passion and
Gergely Ittzes has skillfully arranged Bartok's most popular set of folk songs for flute and piano. Going back to the piano solo version, the orchestral version, and recordings in which Bartok participated,
This arrangement of the classic Oboe Quartet in F, K. 370 by Wolfgang Amadeus Mozart is a must-have for the grade 6 piccolo soloist. Arranged by expert flutist Amy Kempton and edited by Carl