Selected and arranged by professional flutist/educator Amy Kempton and edited by Carl Strommen, these Grade 6 editions will become valuable additions to the piccolo
Once published as single editions and now available in one great set, this collection of five Grade 3-5 pieces celebrates the distinctive musical styles of Italy, Mexico, America, Ireland, and France.
Hall of Ghosts was composed in 2020 during the Covid-19 lockdown period; it was inspired by piccoloist Gudrun Hinze's video for Harberg's Prayer Project filmed in the hauntingly empty Gewandhaus
Written for piccolo virtuoso Christine Erlander Beard, Haven for piccolo and piano was written in response to a difficult time in the performer's life. She expressed that her one escape from her
Paula Robison's collection of Sparklers offers an elegant dessert tray of fin de siecle treats from the Golden Age of Piccolo showpieces and two transcriptions from Kreisler's best-loved violin
A ten minute sonatine in three movements, Diary of a Songbird was composed for Sarah Jackson to premiere at the 2014 NFA annual convention. Musically inspired by both the "song" and the "bird"
The most familiar of Mozart's piano sonatas, Sonata in C, K. 545 is sometimes referred to as the Sonata Semplice or Sonata Facile because of its elegance, simplicity and charm.
Premiered by Jan Gippo in April 2005, the Suite for Piccolo and Piano is a stellar work featuring that loftiest of orchestral instruments, the piccolo. Showcasing not only its moxie and exuberant
Review in Flute Talk Magazine. January 2017: Gibson has arranged this programmatic piano work for piccolo and piano. Based on a poem by J. Clare, (I heard from morn to morn a merry thrush/ Sing hymns
This arrangement of the classic Oboe Quartet in F, K. 370 by Wolfgang Amadeus Mozart is a must-have for the grade 6 piccolo soloist. Arranged by expert flutist Amy Kempton and edited by Carl
Henrik Wiese once again draws on his wealth of experience as a flutist and pedagogue: with his book The Piccolo & Alto Flute Audition, he has compiled a total of 207 audition excerpts in a
Have you ever said, "I love my top octave?" If you are like most flute and piccolo players, the answer is no. This book is a methodical approach to playing with control and artistry in the third register.
Headstand, Cartwheels is a nuanced dialogue between piccolo and piano. The reflective first movement (Headstand) gives way to a percussive second movement (Cartwheels), contrasting through its