For Bassoon and Piano by Alberto Orefici.
Orefici was a student of Jancourt at the Paris Conservatory. He followed his teachers example by composing the well-known Melodic Studies and
For Bassoon and Piano by W. A. Mozart. The Bassoonists Revenge! Tired of hearing clarinetists play K. 191? This is the beautiful second movement of Mozart's final wind concerto, popularized by Meryl Streep
The Ballade for Bassoon and Piano, Op. 34, was composed for the bassoon studio examinations in 1912. The work is of moderate difficulty, only utilizing the upper range of the instrument to the
Cantilene Op. 59 for bassoon and piano by Eugene Jancourt (1815-1901). Jancourt's Cantilene is considered by some to be one of his loveliest works, offering the soloist ample opportunities
Berr's composition utilizes one of the most popular selections from Il barbiere di Siviglia (The Barber of Seville), composed in 1816 by Gioachino Rossini. Una voce poco fa (A Voice Echoes in
Twelve popular works for bassoon with piano accompaniment feature selected works from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. A valuable resource that includes pull-out part and
An energetic, lyrical solo, written for Claude Smith's daughter, Pam, and easily accessible to a high school or college bassoonist. Based on a lighthearted melody, the solo has some technical passages based
When I first started thinking about In Malaysia (sometime in April 2015), I immediately heard a bassoon melody playing in my mind that grew into a larger piece of music that painted my memories
This second volume focuses on Advent, Christmas, Lent, and Easter, but some titles are suitable for general worship as well. Titles include: O Come, O Come, Emmanuel; Appalachian Carol; God Rest Ye
In 2013, I had the pleasure of meeting Will Peebles, a terrific bassoonist with a passion for the small tenorbassoon known as the tenoroon. As one of my passions is writing beautiful works for instruments
For Bassoon and Piano, by Bruno Labate. A charming piece by the Principal Oboist of the New York Philharmonic. Labate is well known among oboists for his pedagogical/recital pieces. This work for bassoon
Jancourt's Reverie Op. 61 was composed in the early 1880s. He dedicated it to his friend and colleague Francois Villaufret (1833-1888), one of the original bassoonists in the Societe de musique de
The Romance et Tarentelle was composed in 1928 as a contest piece for the annual examinations at the Paris Conservatory that year. The Romance features an expressive solo line for the
For Bassoon and Piano, by Eugene Jancourt. Melodic work by the prolific bassoonist/composer/pedagogue Jancourt; great for introducing or strengthening familiarity with tenor clef as well as an effective
The Solo No. 2 in D, Op. 52 was originally published in 1887. The piece is cast in a modified ternary form. The opening section is in D minor and the composer employed a fourth relationship, for