12 Contemporary Jazz Etudes is written by the world-renowned jazz composer, arranger, saxophonist, bandleader, educator, and member of the Yellowjackets, Bob Mintzer. Designed for the medium to
Created for a wide variety of musicians, 12 Medium-Easy Jazz, Blues and Funk Etudes will appeal to both aspiring players and more experienced musicians. Accessible, yet with some challenges, this
Blades of Grass was inspired by the poem Grass by Carl Sandburg (1878-1967):
"Pile the bodies high at Austerliz and Waterloo, Shovel them under and let me work-I am the grass; I cover all.
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Works for English horn and organ are rare, yet the combination is well suited to share this early-American pentatonic tune by Lowell Mason. Occasional unique harmonies are mixed into this calming and
Several of Grundman's chamber music compositions were never published during his lifetime. Among these is the Evening Song for Solo English Horn, published now for the first time. The holograph
The Fantaisie Op. 1, begins with the solo piano which leads to an introduction reminiscent of a bel canto aria, allowing for a great deal of expressive rubato. A brief cadenza leads to a theme and
Each of these 15 great songs has been arranged for either solo or duet, and each edition is compatible with all others. Contents: As the Deer; Majesty; He Is Exalted; Thou Art Worthy; How Majestic Is
Antonio Pasculli was one of the most important oboists during the 19th century; he lived in Palermo, Italy, and gave many concerts in Europe showing his incredible virtuosity; in fact he was also known as
These 13 jazz etudes review various chord qualities found in jazz tunes in all 12 keys. Areas covered include major 7th chords, minor 7th chords, dominant 7th chords, minor ii(b5) chords, tritone
Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal
Adaptable and flexible to your unique needs, Solos, Duets & Trios for Winds is a versatile series that encourages playing in a variety of combinations. Featuring three written parts for every
The Theme and Variations, Op. 23, is one of several solo works Verroust composed for the English Horn. An extensive Introduction in G minor leads to the sixteen-measure theme in G major.
Two More Pieces for English Horn and Piano (Lamento and Final) are actually the first and last of four pieces Grandval composed for her good friend Georges Gillet (1854-1920) and have never before