Alto Saxophone Solo Sheet Music

Eight harmonically colorful arrangements in duet style by M. Dean Kincaid for E-flat alto saxophone with piano accompaniment. Created for players of intermediate to advanced skill levels.

33 arrangements of hymn and Gospel tunes playable by any instruments as solo, duets, or trios with piano.

Each of these 15 great songs has been arranged for either solo or duet, and each edition is compatible with all others. Contents: As the Deer; Majesty; He Is Exalted; Thou Art Worthy; How Majestic Is

Intermediate-level musicians will shine with these solos. Includes: To God Be the Glory; Be Thou My Vision; Marching to Zion; A Mighty Fortress Is Our God; The Solid Rock; Blessed Assurance; I Love to

Here are six simple arrangements of traditional hymns for young instrumentalists. Each book contains a piano part plus detachable solo and duet parts. Keys allow any combination of brass and woodwinds to

Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same.  A

A beautiful setting of this beloved classic is now creatively set for solo instrument with piano.  A terrific choice for just about any church occasion!

This solo begins with a easy lilt underpinned by a gentle accompaniment. Moving into the second section of the piece the tune is embellished in a variation format of chromatic triplets. It repeats

A lively and exciting solo from beginning to end - a brief introduction sets up the flavor for a modified presentation of the tune; after a modulation, the second offering is more sedate and sweet, only to

The newest addition to the time-honored "Favorite" series, these carefully chosen, best-known "favorites" of contemporary Christian praise songs are sure to be audience and congregation pleasers for years

This alto sax solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more

Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano.  The first variation is a gently modified tune in duple with the accompaniment in

This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.