Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending
This solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an
A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.
These play-along book/CD packs feature ten of the world's greatest hymns, masterfully arranged by James Curnow: All Creatures of Our God and King; Be Thou My Vision; Praise to the Lord, the Almighty; O
Ten hymns of praise suitable for use at various times throughout the year. Each flexible arrangement can be played by any number or combination of instruments, ranging from solo instrument (with piano or CD
Intermediate-level musicians will shine with these solos. Includes: To God Be the Glory; Be Thou My Vision; Marching to Zion; A Mighty Fortress Is Our God; The Solid Rock; Blessed Assurance; I Love to
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The second volume in the popular and versatile series, these creative and practical arrangements work equally well as solos or duets by any combination of C and B-flat instruments. They are ideal for
Here are six simple arrangements of traditional hymns for young instrumentalists. Each book contains a piano part plus detachable solo and duet parts. Keys allow any combination of brass and woodwinds to
Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A
A beautiful setting of this beloved classic is now creatively set for solo instrument with piano. A terrific choice for just about any church occasion!
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This solo begins with a easy lilt underpinned by a gentle accompaniment. Moving into the second section of the piece the tune is embellished in a variation format of chromatic triplets. It repeats
Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in