Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending
This solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an
A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.
Eight harmonically colorful arrangements in duet style suitable for trumpet, clarinet, soprano, or tenor saxophone. Created for players of intermediate to advanced skill levels.
Eight harmonically colorful arrangements in duet style by M. Dean Kincaid for E-flat alto saxophone with piano accompaniment. Created for players of intermediate to advanced skill levels.
The second volume in the popular and versatile series, these creative and practical arrangements work equally well as solos or duets by any combination of C and B-flat instruments. They are ideal for
This tenor sax solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more
This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the
This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.
This is a straightforward yet beautiful arrangement of the famous tune. It will require sensitive musicianship and good technique, but is such a fine piece, it practically plays itself.
Skillfully adapted to feature a solo line while retaining much of the original keyboard writing, this is one of the most comprehensive collections of music for solo instrument and either piano or organ
Mary McDonald has transformed ten of her beloved choral anthems into instrumental solos for trumpet or any C or B-flat instrument. Room was left for personal expression, providing options for performance
Duets of virtually any combination will really enjoy this collection of 19 hymns, spirituals, classical and liturgical sacred music. Arranged for complete flexibility, each part book includes both parts.
This collection offers a trove of inspiring instrumental worship music that is flexibly conceived for performance by any combination of Bb or C instruments. Arranged with the average instrumentalist in