In 1609, Michael Praetorius harmonized the version of Lo, How a Rose E'er Blooming with which most of us are familiar. His contemporary, Melchior Vulpius, created a four-voice canon on the same
Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for clarinet quartet reflecting performance interpretations created by organist, Virgil Fox,
Do not let the slow start to this piece deceive you! Containing many contrasting sections, this work is a medley of O Come, O Come, Emmanuel (Veni Emmanuel); Of the Father's Love Begotten
Here's a jazzy, R&B influenced treatment of a beloved spiritual. There are optional ad-lib solos for tenor and alto sax. For AATB or SATB saxophone quartet.