Aria Vocal Collections

This deeply expressive arioso opens Handel's Ode for the Birthday of Queen Anne, which was written circa 1713. It is best known, more recently, for its use in the royal wedding of Meghan Markle and

"With distinguish'd glory shine, to add a lustre to this day." In 1713, Handel set this joyful text to one of his most exquisite melodies. A tender work of extraordinary grace, Eternal Source of Light

This anthology contains French arias for lyric or dramatic soprano or mezzo-soprano from operas composed by opera reformer Christoph Willibald Gluck for the Paris Opera. The edition includes an informative

This Urtext edition contains French operatic arias for soprano and piano from the works that opera reformer Christoph Willibald Gluck composed on commission for the Paris Opera. These operas include

These newly engraved and edited aria collections will become a staple in the vocal studio. The soprano edition includes 18 arias by Mozart, Donizetti, Bellini, Verdi, Puccini, and others and the tenor

The 1608 opera "Arianna" is best known for the title character's lament sung by Isabella Andreini. The interest in this operatic scene now known as the Lamento d’Arianna led to many

Nicklausse's famous violin aria from the third act of "Les Contes d’Hoffmann" (The Tales of Hoffmann) by Jacques Offenbach is now available in a separate edition. It includes a vocal score as well as

A repertoire anthology of opera arias from roles specific to the lyric bass, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects of

A repertoire anthology of opera arias from roles specific to the lyric-dramatic bass, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical

A repertoire anthology of opera arias from roles specific to the dramatic bass, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects

A repertoire anthology of opera arias from roles specific to the alto, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects of

A repertoire anthology of opera arias from roles specific to the dramatic mezzo-soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the

A repertoire anthology of opera arias from roles specific to the tenor, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects of

A repertoire anthology of opera arias from roles specific to the lyric-dramatic tenor, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical

Volume 3 contains a representative cross-section of the dramatic repertoire for tenor. On the opera stage, the tenor is often the most eminent protagonist. Whether he is an ardent lover or a tragic hero, he

A repertoire anthology of opera arias from roles specific to the lyric-coloratura soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the

A repertoire anthology of opera arias from roles specific to the lyric baritone, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical

A repertoire anthology of opera arias from roles specific to the lyric-dramatic baritone, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the

A repertoire anthology of opera arias from roles specific to the lyric soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects

A repertoire anthology of opera arias from roles specific to the dramatic baritone, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical

A repertoire anthology of opera arias from roles specific to the dramatic-coloratura soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the