Piae Cantiones, published in 1582, is a collection of late medieval sacred and secular songs begging to be given performance, either as written, or perhaps in new settings. Three sacred tunes in
Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending
Originally part of three pieces for cello and piano, this has been skillfully transcribed for organ and solo instrument (flute, oboe, violin, or clarinet). A reflective andante in A minor, this duet is
This acclaimed instrumental solo series has been enthusiastically embraced by skilled instrumentalists seeking resources for worship and concert. These hymn settings showcase Brant's idiomatic understanding
Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for clarinet quartet reflecting performance interpretations created by organist, Virgil Fox,
Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for clarinet choir reflecting performance interpretations created by organist, Virgil Fox, and
A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.
Away in a Manger is found in several unique musical settings. Among them, three are utilized in this medley: Cradle Song, Old Normandy Carol, and Mueller. Old
Taken from Piae Cantiones (1582), Divinum Mysterium is the name of the medieval chant melody which accompanies the hymn Of the Father's Love Begotten. Piae Cantiones is a
This collection is for church musicians looking to involve talented instrumentalists. The eight preludes were written to provide music based on hymn tunes associated with the major seasons of the church
This splendid collection of hymn descants provides festive treatment to hymn singing. Each descant is provided over the melody in both C and B-flat and is reproducible. While the descants were written to be
Seven familiar hymns are tastefully arranged and edited for treble instrument and piano. These pieces may be played by flute, oboe, clarinet, or violin, with piano accompaniment. The part includes music for
Designed for maximum flexibility, Hymns of Praise can be used for a solo instrument with piano or CD accompaniment or for any ensemble in any combination of instruments from duets to full
Ten hymns of praise suitable for use at various times throughout the year. Each flexible arrangement can be played by any number or combination of instruments, ranging from solo instrument (with piano or CD
The Holst setting of Christina Rossetti's poem In the Bleak Midwinter is the basis for this moody work for clarinet and piano, largely inspired by the poem's first verse that speaks of the cold
Eight timeless hymns are offered in this exceptional collection for instrumental soloists. The arrangements are thoughtful, reverent and triumphant as they resound through the sanctuary. Wonderfully
The second volume in the popular and versatile series, these creative and practical arrangements work equally well as solos or duets by any combination of C and B-flat instruments. They are ideal for
Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A