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Written in 1815, the two Sonatas op. 102 mark the transition to the often austere sonorities of Beethoven's late style. One reviewerof the original edition noted in 1818 that they “doubtless number
Edited by Kurt Meier. For oboe & basso continuo. Transposition to D major, without any alterations, adds a richly harmonic and rhythmically exquisite work to the slim oboist repertoire. Score
Edited by Maurice Hinson & Alison Nelson. For 2 pianos, 4 hands. From the Alfred Masterwork Edition series. This edition includes editorial fingering and performance
Edited by Yvonne Morgan. For viola & piano. This edition is based on the first print. Preface in Ger. and Eng. Score, 28 p. and part.
Edited by Bernhard Pauler. For flute, cello & piano. Based on the first edition. Score and parts.
Edited by Ulrich Leisinger. For flute & piano. Urtext Edition based on the only 18th century source, a manuscript copy held by the Library of the Royal Conservatory of Music, Brussels. Preface in Ger.
Edited by Ulrich Leisinger. For flute & basso continuo. Urtext Edition based on the only 18th century source, a manuscript copy held by the Library of the Royal Conservatory of Music, Brussels. Preface
Edited by Ulrich Leisinger. For flute & piano. Urtext Edition based on the autograph scores of both sonatas, as well as contemporary copies of each. Preface in Ger. and Eng. The first of three volumes