Emotional advanced work for percussion sextet.

Contest sextet for concert percussion and optional piano.

A classic percussion quartet by prolific composer Fisher Aubrey Tull. The opening theme is presented in canonic style and developed through a series of cadenzas, one for each of the four players. The

A light and graceful Spanish tune has lingered on for more than 50 years and has more recently been used in jazz selections. This warm transcription retains the dignity of the original melody.

Medium-advanced ensemble piece for mixed percussion. Suitable for contest.

Through-composed marimba quartet containing elements of pointalism.

The title of this marimba trio is derived from the last name of a couple that attended college with the composer. The piece itself is inspired by the many stories the couple shared with the

Essentially a two-mallet work for each performer, the Suite for Keyboard Percussion demands excellent technique from all four players. The first and third movements create exciting rhythmical

The work commences with a slow Cantabile lontano melodic introductory theme in the piano punctuated by pointillistic interruptions. An Allegro follows displaying a dialogue between timpani and piano. This

A multi-movement masterpiece for percussion septet. Each player uses a variety of instruments. Other than parts for vibraphone, glockenspiel, and timpani, everything is non-pitched.

Intense, high energy piece for six to eight percussionists in the tradition of Japanese Taiko drumming. Scored for non-pitched instruments.

A rhythmically intense work for four drummers with four nonspecific drums each.

Percussion Quartet

Ensemble work for five multi-percussionists. The setups are involved requiring the players to choreograph their instrument switches.

A beautifully written, classically oriented multi-movement work for six players. The parts are woven well, and, while each percussionists plays multiple instruments, the set ups are relatively small making

Great for opening concerts, especially Halloween!

Here is an energetic and highly entertaining work for three percussionists. The players form a triangle with a shared concert bass drum in the center. In addition each player gets a set of

Classic work masterfully arranged for advanced mallet trio.

Scored for 3 tom-toms, 2 triangles, wood block, suspended cymbal, maracas, small gong, and bass drum.

In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. "Twilight" is defined as