Long considered "the" original version of this timeless spiritual. The true authenticity of the African-American musical heritage is captured in this Dawson rendition.
A fun, syncopated spiritual for a cappella choir. There's also a part for a soprano solo. Requires a full group, as all parts divide at times. A rousing handclapper!
For mixed, treble, and tenor-bass choirs, these transcriptions of this famous Schubert song offer the perfect material for teaching free, bel canto-style singing, German diction, and "arch and taper"
The G. Schirmer edition of the beloved chorus from Messiah is an important part of every choral library.
Although Rosephanye Powell often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord, one of her
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This Shakespearean text is explored in the remarkable Rutter style, giving you an ideal selection for your winter concert or any other performance occasion.
Here is an exuberant a cappella number that's loaded with African atmosphere! The traditional Zambian words are sung throughout with such a buoyant, rhythmic feel that you are transported into the center of
Probably Faure's best-known and most frequently performed work next to his Requiem. The lovely melodic lines are over triplet figures in the accompaniment, which can be done on piano, harp, or with a small
This bright and festive a cappella work is set for has become a standard in choral literature for both festival and church choirs. The SSAA and TTBB versions have been adapted by Tim Sarsany.
This a cappella setting of Matthew 18 in Spanish has attracted a lot of attention, and has already seen considerable festival activity. The English translation of the text is also shown: "Where two or three
This classic Berger work utilizes a text from Psalm 145:15, 16. The lush setting is mixed metered, chordal, and a cappella, with gorgeous harmonies and expressive phrases.
This exciting setting of the Latin text extracted from the larger Missa Romantica appears in two versions: the first is accompanied as it appears in the larger work; the second is an a cappella version for