Long considered "the" original version of this timeless spiritual. The true authenticity of the African-American musical heritage is captured in this Dawson rendition.
A fun, syncopated spiritual for a cappella choir. There's also a part for a soprano solo. Requires a full group, as all parts divide at times. A rousing handclapper!
A true classic, Luboff's lush and distinctive a cappella arrangement of the traditional Bahamian spiritual is a standard in the choral performance repertoire. The treble version has been adapted by James E.
For mixed, treble, and tenor-bass choirs, these transcriptions of this famous Schubert song offer the perfect material for teaching free, bel canto-style singing, German diction, and "arch and taper"
Although Rosephanye Powell often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord, one of her
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A masterful arrangement of this traditional spiritual! This a cappella setting with mezzo-soprano solo and bass divisi is full of lush, rich harmonies, wonderful choral lines, and a captivating interaction
This Shakespearean text is explored in the remarkable Rutter style, giving you an ideal selection for your winter concert or any other performance occasion.
Here is an exuberant a cappella number that's loaded with African atmosphere! The traditional Zambian words are sung throughout with such a buoyant, rhythmic feel that you are transported into the center of
This bright and festive a cappella work is set for has become a standard in choral literature for both festival and church choirs. The SSAA and TTBB versions have been adapted by Tim Sarsany.
This hauntingly beautiful setting of a tender Slovakian lullaby is a little gem! Each stanza is superbly crafted, with an a cappella verse in English and an included pronunciation guide. "Close your eyes,
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Your choir will really "pull out all the stops" when they sing this dynamic, powerful arrangement! The traditional underground railroad map song has been transformed into a first-rate choral feature by