This flowing, melodic setting of the traditional Latin text is absolutely gorgeous! The marvelous part writing, luscious harmonies, and rich accompaniment are so gentle and graceful, the work is purely

Following on the heels of his wildly popular Sisi Ni Moja, Jacob Narverud returns with another show-stopping piece in a similar style. With influences from world music and an upbeat rhythmic style,

This beloved Appalachian folk song is dressed up with an artistic piano accompaniment and lovely harmonies for tenor-bass choirs. A wonderful teaching piece for lyrical phrasing, blend, and tone as well as

The poignant lilt of the classic Scottish folk song provides a sweet singable melody for this gentle piece. This arrangement is crafted specifically to provide a comfortable tessitura for unchanged and

In the Bantu language, "cangoma" means "drum." The text of this piece, in a Portuguese dialect, celebrates the end of slavery. Use congas, djembe, tubanos, cajon, or tom-toms to add the simple drum

Of the many sea-themed pieces available for male voices, this original is definitely one of the best. It's a vibrant, melodically-driven setting of a seafaring poem by Allan Cunningham, with comfortable

Feel Good is a contemporary African-American gospel song that should be performed with joy, exuberance and enthusiasm! Highly rhythmic with judicious hand claps and utilizing a secular text of

This animated arrangement of a traditional Irish folk song is very accessible to changing voices, and particular attention is paid to appropriate ranges for singers in any stage of their voice change. A

Arranged for developing treble or tenor-bass choirs, this spiritual provides opportunities to explore colors in the vocal sound while singing in a minor key. The mournful quality, sometimes hushed,

Berger set a clever Benjamin Franklin text in this vigorous and musically satisfying work. Beginning in unison, successive verses display a variety of choral textures that capture the rich sonorities of a

Don't miss this accessible arrangement of the famous chorus from Handel's oratorio "Judas Maccabaeus." The piano accompaniment is not difficult, and the two-part voicing brings the work within the reach of

Hopsa! Lisella!, an eighteenth-century Alsatian folk song, quite literally sways back and forth as it is sung. The feeling of acceleration typical of the style is captured through ritards,

"How like a winter hath my absence been, like a winter, from thee..." This artful setting of a text by William Shakespeare works equally well as a winter piece or as a secular concert work. Sing the liquid