Amor Vincit Omnia - "love conquers all" - is a poignant, lush and lyrical adaptation of a text whose theme expresses endless hope in the power of love. Singers will delight in the well-constructed,

This modern performance edition of Aiblinger's De Profundis is based on a hand-copied score found in Dresden, Germany and adheres closely to the original source. Mixed ensembles of all sizes will

This exciting setting of the favorite spiritual will make your women's or mixed choir sound fantastic! With crisp rhythmic figures, call-and-response phrases, unexpected harmonic turns, and handclaps, it is

With a text centered around divine love, and the depths of that love, the music is characterized by slow-moving cluster chords, soaring voice leading, and first inversion chords that give a feeling of

Langston Hughes' powerful poem addresses the issues of racism, division, poverty, and greed, and Dilworth's inclusion of the African American spiritual I've Been in the Storm So Long

Beginning with joyous acclamations, this exuberant piece features a polyphonic middle section followed by a lyrical presentation of the "amens" and the return of the homophonic style in the closing

A standard in choral literature from Mendelssohn's cantata "Elijah." A must!

This piece was written in response to Dr. Martin Luther King Jr.'s "I have a Dream" speech. The text dialogues between two Langston Hughes poems, Harlem and Dreams. One poem summarizes the

Wonderfully expressive and deeply moving, this musical setting does justice to the sensitivity and intimate mood of E.E. Cummings' poem. David Dickau is at his compositional best in this exquisite love song

Victor Johnson's celebratory original features a text adapted from Psalms. Opening with a stately, majestic fanfare, it moves into jubilant high gear featuring a rhythmically driving accompaniment and

This playful Irish children's song has been set with rousing clapping and stomping, and the result is a festival showcase! The vocals are set in a simple homophonic style, which makes the body percussion

A truly special and evocative poem by Hildegard von Bingen set masterfully by the composer. The piano acts as a fifth voice with the choir, often representing the "circling" of the mysterious "firey force."