Leroy Anderson introduced this playful composition to audiences by saying he had often wondered what a clock would sound like if, instead of going "tick-tock, tick-tock" it went "tock-tick-tock."  Martha Lynn Thompson has scored this for 3-5 octave choir and kept Anderson's original percussion score, resulting in a delightfully fun rendition that is accessible to play and absolutely charming in performance.  An excellent addition to any concert program or encore feature.