A jazz standard in every sense, this has received countless performances and cover recordings since 1930, including the likes of Louis Armstrong, Ella Fitzgerald, and Frank Sinatra. Versatile and lively, this arrangement captures the original's penchant for both chromatic and leaping phrasing within a single phrase. Conservative ranges, a short section of notated choral scat, and a great track make this highly accessible for developing mixed or treble choirs.