String Quartet No 3
Publisher Desc.
The 100th anniversary of the Armenian genocide, an internationally
acknowledged tragedy in which more than one and a half million Armenians
died, was commemorated in 2015. To mark this anniversary and draw our
attention to this tragedy, I have written four string quartets, all based on
Armenian liturgical chants.
These chants, which date from the
medieval period (from the 5th to the 15th centuries), have been transmitted
to us in manuscript form. The neumes in which they were notated were
transcribed by musicologist Nikoghos Tahmizian and compiled in his book on
Gregory of Narek and Armenian music from the 5th to 15th centuries. In this
book, the main source of the liturgical chants that inspired my quartets,
these chants are presented in the form of monologues or prayers for a single
voice. In my quartets, the content of these prayers is enriched with
polyphony.
Each movement is named after a river
in Armenia. The symbolism is intentional: water is essential to life, and
rivers are the veins of a country, just as faith nourishes and sustains our
existence as creative and forward-looking people.
1i iiDebedii Sadness, solitudei the first violin starts a
monologue, which becomes a somber dialogue with the second violin. The viola
and cello enter with brief interventions, enhancing the mood of subtlety and
depth.
2i iiArpaii In this prayer for forgiveness the cello has the
theme, supported by the three other instruments playing a choir-like
pianissimo accompaniment. In the movementis canonic ending, the cello comes
to the fore once again, formulating a last prayer.
3iii Dzoragetii This movement is imbued with the power of faith
and the inherent majesty of the prayer, Alliluia, whose magnificent melody
is its sole theme. The music becomes an appeal to protect and preserve the
Christian faith. The tense mood continues to the very end, and, through the
music, one becomes aware of the gaze and soul of a believer strengthened, and
carried ever higher, by faith.
Petros Shoujounian
Translated by Sean McCutcheon
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