Concertino da camera

Composed in the late 18th century as a chamber concerto for solo wind and strings, this arrangement reworks the original material so melodic figures are fully shared within the ensemble. Characteristic Classical‑era string writing remains central, while lines originally assigned to the solo instrument are integrated throughout. The result is a balanced chamber‑style texture that highlights clarity, elegance, and interaction, making the music well suited to string ensembles seeking stylistic authenticity and unity.