2023-2024 UIL PML Concert Band Choir Additions

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Michael Markowski

Elixir is dedicated to Scott Coulson, a man who has passionately devoted his life to others through music. Above all, the piece is a musical "toast" - a "cheers" to a continued journey and to a long, healthy life not only to Mr. Coulson, but also to the students at Poteet High School, whose amazing journeys are just beginning. Duration: ca. 5'.

Elixir

Concert Band Score & Parts

Series

Alfred Music Publishing

Travel to the Great Lakes region of Africa with the colorful writing of this joyous work. The title translates as "joy" in Swahili and the music captures the festivity of a people who love to dance and sing. Written in 5/4 time, this piece provides an opportunity to challenge musicians rhythmically in a way that is fun and engaging.

Furaha!

Manhattan Beach Music

Experience the exhilarating pull of "Tidal Forces" by Michael Markowski. Perfect for concert and contest performances, this piece masterfully captures the dynamic ebbs and flows of oceanic power. Engage your ensemble with challenging rhythms and compelling harmonies that are sure to captivate and inspire both players and audiences alike. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Tidal Forces

Alfred Publishing Belwin Division

Working closely with the composer, William Berz has carefully adapted this from the original Symphonic Dances. Characterized by quick syncopated rhythms in the first and last sections, the more sustained middle section exploits the vivid and varied colors with concert band instrumentation. Certain to draw critical acclaim.

Frolicking Winds

Editors Choice Year

Here's a terrific transcription that provides a contrasting selection for concert programs.  The soft but intense opening builds in intensity and draws the listener in as it grows in energy and volume.  A welcome work that bands at all levels will want to perform.

March of the Trolls

FJH Music Company Inc

Four short movements make up this "petite symphony" constructed in the same form as the elements of a traditional symphony: Allegro non troppo; Largo; Scherzo and Allegro vivace. Each movement also refers to an element of nature. Movement 1, Air, is light and breathy, made up mostly of staccato notes. Water, the second movement, ripples and flows softly and gently. An homage to Holst's The Planets can be heard in Earth, the third movement. The piece concludes in an intense inferno with Fire. A powerful and cleverly composed piece!

Elements

A wonderfully delicate and effective setting of the original work composed by Faure in 1865.  This magnificent transcription for winds retains all the glory and color of the full chorus and orchestra version, complete with harp and string bass.  An elegant addition to wind band repertoire.

Cantique de Jean Racine

Written as a tribute to Chuck Jones, late great director of the Looney Tunes cartoons. The title refers to the persistent Wile E. Coyote, while the music conveys his driving energy in pursuit of the elusive roadrunner. A wild concert closer that will delight everyone!

Famishius Fantasticus

Steven Bryant

A short exuberant work from the first movement of Bryant's larger work Ecstatic Waters. Striking and resonant for an effective opening statement at any concert performance.

Ecstatic Fanfare

The tragic events involving organized labor, known as the Ludlow massacre of 1914, served as the catalyst for this original epic work. Opening with the building of tension between factions, the intense and contemporary work then depicts the fourteen hour battle and its aftermath, concluding with a musical statement of hope and resolution.

Ludlow

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RWS Music Company

For accomplished bands, a stunning musical tribute to those that soar the skies. Beginning with a brilliant and majestic fanfare, the piece quickly develops through material wrought with tension and energy. A beautiful and lyrical setting follows before culminating in a flurry of excitement like jets soaring into the distance.

Aces

Murphy Music Press

I don’t normally like to begin program notes with dictionary definitions—it feels pretty stuffy to me—but it seemed appropriate for this piece, so here goes…
thunk [thuhngk] noun verb
1. [n.] an abrupt, flat, hollow sound (example: The book landed on the floor with a thunk.); synonym: thud 2. [v.] to produce an abrupt, flat, hollow sound 3. [v.] colloquial past tense and past participle of think.
Melodious Thunk was inspired by the famous jazz pianist Thelonious Monk. Monk’s wife, Nellie Smith, nicknamed him “Melodious Thunk” because of his clunky, awkward, and brilliant(!) piano playing, and his, somewhat scatterbrained and disoriented nature. I really liked the idea of playing around with Monk’s name—first, because I personally really enjoy goofing around with “spoonerisms” (silly, ridiculous, mix-and-match letter games, which often happen by accident: for example, slip of the tongue becomes tip of the slung), and, second, because this nickname actually provided great musical inspiration. Melodious—well, that’s fairly obvious—and thunk (which is a great onomatopoeia!) became the starting points for the piece. Big, fat thunks are interspersed with pointy, clunky, bluesy blips, which are then transformed into a long, smooth, laid-back melody accompanied by a funky bass line. I haven’t consciously borrowed any specific tunes or licks from Monk, although I do use a small fragment of Dizzy Gillespie’s tune Salt Peanuts, but I hope you’ll hear some similarities between this piece and Monk’s iconic musical style and quirky attitude.

Melodious Thunk

Maslanka Press

Hosanna a shout of praise. The psychologist Carl Jung has described the first half of life as devoted to the establishment of self and of place in the world, and the second half as the journey towards God. Once past the age of 70, which Gary and I both are, this focus becomes intent. With it comes an attitude of surprise, acceptance and praise the shout of praise for all that is. Everything is divine, and it is our clear, sharp intention to bring this understanding to the generations coming up behind us. It is my pleasure and honor to offer this music to my friend, Gary Green, as he moves onward in his music making, teaching, and mentoring his service to the world. This music shows once again my long-time engagement with J.S. Bach's 371 Four-Part Chorales. I have been singing these pieces almost daily for nearly 25 years, and composing my own chorales in the old style. The practice has become an ever deepening meditative prayer. The melodies and titles are certainly Christian in origin, yet I have come to see and feel them as a deep expression of a common humanity, transcending origin and label. Their attitudes in this composition are centered and quiet, opening the space for self reflection and the voice of praise. I wanted to not only thank you for writing some of the most interesting and challenging low brass parts that I have come across in my playing, but also to commend you for composing quite the amount of music that is all so inspired and spiritual. While practicing the bass trombone parts for Hosannas and your 7th Symphony, I found that I not only needed to, but was excited to spend just as much time and care on those licks as I did for my orchestral excerpts. It is so refreshing to see a composer who is willing and more than able to write such beautiful, virtuosic, and mindful music for every single voice of an ensemble. Patrick Crider I heard Hosannas at Gary Green's retirement concert and Concerto for Piano No. 3 at CBDNA this year and they were both fabulous! Phillip Clements, Texas AM University-Commerce Every time I hear or think about the chorale in Mvt. 5 of Hosannas my soul is changed Brenton Alston, Florida International University Find program notes and more information at davidmaslanka.com.

Hosannas

I have been playing and singing the Bach 371 Four-Part Chorales for more than 25 years. Although they have a Christian/Lutheran context, they are primarily, and for me most importantly, just music, glorious and powerful in themselves. After all these years I have come to feel that singing the Chorales is an act of prayer, and to date I have sung through the entire book ,all four voices, of each Chorale some 23 times. These ancient melodies are the voice of peace, and over the years, they have formed a peaceful center in me. Angel of Mercy is a prayer for peace in our troubled time. Three Chorale melodies are the foundation for this music: "O Fear, Disquiet, and Apprehension," "Oh, How Blest Are Ye," and "I Leave All Things to God's Direction." This piece was commissioned by Timothy Mahr and the St. Olaf Band in honor of the band's 125th anniversary. It is dedicated to them with profound gratitude and respect. I was taken by this work ... (I) can't wait for this one! I loved it with Tim's band. Bruce Moss, Bowling Green State University We had another significant performance today of Angel of Mercy. The audience was quite taken with the work - it was the talk of the hallways following the concert. Timothy Mahr, St. Olaf College Find program notes and more information at davidmaslanka.com.

Angel of Mercy

The title is taken from the Latin word for flight, which fits this musical presentation that captures the art of soaring above the clouds. Lift-off begins with stately brass statements and sparkling percussion, then it is up, up and away with dancing woodwind flourishes. With angular harmonies, driving rhythms in mixed meters, and emphatic percussive effects, you'll find there's something for everyone to enjoy.

Volatus

Ayotte Custom Musical Engravings, LLC (ASCAP)

Michael Shaw's concert band transcription of John Halvorsen's "Suite Ancienne" will make a virtuostic centrepiece for your next concert. A solid Grade 5 chart, this transcription contains all five movements: Intrata; Gigue; Air con variazioni; Sarabande; and Bourree

Suite Ancienne to the Memory of Ludvig Holberg, Op. 31

TRN Music Pub. Co.

Immerse yourself in the rich textures of "Hill Country Mosaic" by Eric Rath. Perfect for concert and contest settings, this piece weaves intricate melodies and rhythms to capture the essence of the scenic beauty and cultural diversity. A must-play that challenges and delights musicians with its vibrant, dynamic score. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Hill Country Mosaic

Get ready for the thrill of a lifetime! Take a deep breath as you musically take that first step and experience the immediate exhilaration of free fall. As you reach terminal velocity, a peaceful legato section allows the skydiver to enjoy the panoramic beauty of the scenery. The suspense and thrills then return as you pull the ripcord and come to an exuberant and triumphant touchdown.

Skydive

Showcase your band with this fast-paced and high-energy blockbuster! A strong rhythmic pulse drives the tuneful melodies and technical flourishes that are present throughout. This joyful offering will work well as an opener, closer, or brilliant encore piece.

Bright Lights!

"In This Broad Earth" by Steven Bryant is a vibrant and exhilarating composition for concert and contest performances. Inspired by the beauty of nature, this piece evokes a sense of wonder and exploration through its dynamic and lush orchestration. Perfect for ensembles seeking to captivate and inspire audiences. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

In This Broad Earth

Global Sections - CORE [DO NOT TOUCH]*

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