Barenreiter Album of Opera Choruses
For Mixed Choir
ed. Tilman Michael
This volume offers a selection of particularly attractive opera choruses from three centuries in their five original languages (Italian, French, German, English and Russian). Whether cheerful shepherd's tune, furious battle song, or …
Read More©2017 Baerenreiter-Verlag, Kassel, Germany
Choral Choral Score
10830980Supplier ID: BA06924
Ships from J.W. Pepper
Limited
Limited
This volume offers a selection of particularly attractive opera choruses from three centuries in their five original languages (Italian, French, German, English and Russian). Whether cheerful shepherd's tune, furious battle song, or poignant entreaty to the gods, choruses occupy an important place in opera and frequently service to carry the plot. The depiction of crowd scenes such as war tableaus and battle scenes, the empathizing with and the commenting on the fate of the protagonists, the reflecting upon opposing emotions, the explanation of events, and at times also intermezzos without direct connection to the plot - the functions of the chorus are manifold, and correspondingly varied is the expressive content of the music. The preface to this edition includes concise technical and interpretative information, and in that way provides valuable assistance for the preparation of the individual choruses for both professional and amateur choirs. Included are choruses from the following works: L'Orfeo (Monteverdi); Acis and Galantea (Handel); Alceste (Gluck); Idomeneo (Mozart); Fierabras (Schubert); Norma (Bellini); Samson et Dalila (Saint-Saens); Carmen (Bizet) and Eugene Onegin (Tchaikovsky).
Lasst Friede in die Hallen des Furstensitzes ziehn (Fierabras) Guerra, guerra! (Norma) L'aube qui blanchit deja les coteaux (Samson et Dalila) Les voici, voici la quadrille! (Carmen) Boljat moi skory nozenki (Eugene Onegin) Placido e il mar, andiamo (Idomeneo) Regna a noi con lieta sorte (Vienna version 1767) (Alceste) Smiling Venus, queen of love (Acis and Galatea) Vieni Imeneo - Lasciate i monti, lasciate i fonti (L'Orfeo)