Concerto in F Major
Antonio Vivaldi/arr. Charles T. Yeago
In the first movement and the third movement there are many instances of unisons in the ensemble which may make the arrangement sound heavy. In some instances you may want to have one of two to a part in these situations to give it a more …
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In the first movement and the third movement there are many instances of unisons in the ensemble which may make the arrangement sound heavy. In some instances you may want to have one of two to a part in these situations to give it a more transparent sound.
Dynamics have also been kept low due to the fact that the original version was for strings and flute. The lower dynamics help to keep a more transparent sound so as not to cover up the soloist.