Although this composition sounds like it came straight out of the Baroque period, it is actually the first movement of a suite by Karl Jenkins written in 1996. Instantly recognized as the "diamond commercial" theme, its relentless pulse …Read More
Although this composition sounds like it came straight out of the Baroque period, it is actually the first movement of a suite by Karl Jenkins written in 1996. Instantly recognized as the "diamond commercial" theme, its relentless pulse and dramatic nature make it a natural for bands. This skilled arrangement puts it within reach of most groups.