Praise, My Soul, The King Of Heaven
This is a straightforward three-stanza setting of LAUDA ANIMA. After the opening fanfare and first stanza, the second stanza is more subdued, employing mallets (or plucking, if desired), a treble-clef melody, and a moving eighth-note bass accompaniment. A brief transition and a modulation from the key of G to C lead to the triumphant final stanza. The arrangement contains ample bell changes to accommodate and complement the hymn's traditional harmonization and sturdy, victorious tune.
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