Sagina
And Can It Be?
Thomas Campbell /arr. Robert Myers
OK, to answer your first question, call it "suh-JEE-nuh."
Rhymes with Regina. This arrangement is a colorful and moving setting of the Read More
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OK, to answer your first question, call it "suh-JEE-nuh."
Rhymes with Regina. This arrangement is a colorful and moving setting of the
Charles Wesley hymn, "And Can It Be," for traditional orchestra.
The beauty of the music, the prominence of the familiar tune, and the text
painting of Wesley's poignant lyrics will find immediate acceptance in the
hearts of its hearers. Aside from frequently shifting asymmetrical meters the
difficulty level is very basic yet your musicians should still find it
interesting and fulfilling to play.
In 1825, Thomas Campbell published a collection of twenty-three tunes under
the title of The Bouquet. Campbell gave each of these tunes the name of a
botanical species. One, titled SAGINA, was named for the family of flowering
plants that includes baby's breath and carnations.
Almost a century earlier, in 1738, Charles Wesley wrote six stanzas for his
hymn titled "And Can it Be" as a reflection on his conversion to Christianity.
By the mid-twentieth century, Campbell's tune had become irrevocably wedded
to Wesley's verse in Christian hymnody. Two of Wesley's stanzas along with
the refrain were chosen as inspiration for the music in this arrangement of
the classic hymn tune.
Three accommodations make the music more accessible to church and community
orchestras. First, important passages are liberally cued to keep the music
workable even without full instrumentation. Second, several optional parts
for band instruments are provided to allow current and former band musicians
take part beside your orchestra players. And third, the piano/synthesizer
part doubles key passages from most of the less common instruments such as
harp, vibraphone and chimes.
Robert Myers
S.D.G.