Composed in 2015, Stabat Mater was commissioned by the Genesis Foundation for Harry Christophers and The Sixteen. Scored for mixed chorus and string orchestra, it is a long-awaited sequel to the early masterpiece Seven Last Words from the Cross (1993). Scored for the same forces; indeed, the later work begins with the pianissimo "dying breaths" with which the earlier score so unforgettably closes. Cast in four movements Stabat Mater has a duration of 53 minutes. Following the premiere, London’s Financial Times commented that the composer "speaks of a painful world of loss, violence, and spiritual desolation [...]. Both sides of MacMillan are to be found here,the devotional and the painter of bold, dramatic canvases - the former in the ethereal writing for solo and ensemble voices, the latter in the lacerating blows and feverish anxieties depicted in the string ensemble."