Vespertine Formations
Christopher Deane
Vespertine Formations explores ways of creating a sense of sustain on four marimbas through extensive use of stretto and imitation. Rather than approaching an ensemble such as this in a traditional choral configuration of soprano, alto, …
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Vespertine Formations explores ways of creating a sense of sustain on four marimbas through extensive use of stretto and imitation. Rather than approaching an ensemble such as this in a traditional choral configuration of soprano, alto, tenor and bass, this piece focuses on keeping most of the musical activity within the same register. All four voices serve as equal members of one collective image.