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A setting of the hymn by William Batchelder Bradbury, based on a poem by Anna Bartlett Warner. The pedal and left hand provide a simple background, against which the right hand, alternating solo voices, playfully explores the tune.

Partita on Jesus loves Me

Organ Solo

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A short anthem for general use. Although the musical material is fairly easy, there's room to work on musical expression. This is a great piece when a last-minute anthem is needed (and the keyboard accompaniment is very easy to learn!).

My Grace is Sufficient

SAB Full Score

Intermediate level. This energetic piece can serve a wide range of uses, whether Prelude, Postlude, or a time of reflection. “Away in a Manger (Mueller)” is part of a collection of eight Christmas pieces, the others being “Away in a Manger (Cradle Song),” “Go Tell It on the Mountain (Go Tell It),” “Good Christian Friends, Rejoice (In Dulci Jubilo),” “Infant Holy, Infant Lowly (W Zlobie Lezy),” “Joy to the World (Antioch),” “O Little Town of Bethlehem (Forest Green),” and “The Snow Lay on the Ground (Venite Adoremus).”

Away in a Manger

Piano Solo

Intermediate Learner (level 4). Requires hand coordination and finger independence while exploring simple arpeggios giving the sense of the rolling motion of a ship on the sea (the piece is also pretty clearly in C as well).

Prelude on the Sea

Level 2+. This meditative work is based on the hymn tune Trentham, which, in some hymnals, sets the hymn Breathe on me, breath of God. It is an expansion of the typical 12-bell piece in several ways: It uses 14 bells instead of 12 (requiring a ringer or two to take on an extra bell, or needing an extra ringer); it requires the C5D5 ringer to move to the Handchime solo, thus raising the difficulty level of the work (an extra ringer would, again, make things easier); the work may be played by handbells and chimes alone, or with the optional piano part that supports and complements the bells and chimes.

Breath of God

3 Octave Handbells

Intermediate level. This playful arrangement never presents the hymn tune in its entirety, but is nonetheless clearly based on Venite Adoremus. A great choice for Offertory or Postlude or as an interlude in a Carol-based service. This arrangement is part of a collection of eight Christmas pieces, the others being “Away in a Manger (Cradle Song),” “Away in a Manger (Mueller),” “Go Tell It on the Mountain (Go Tell It),” “Good Christian Friends, Rejoice (In Dulci Jubilo),” “Infant Holy, Infant Lowly (W Zlobie Lezy),” “Joy to the World (Antioch),” and “O Little Town of Bethlehem (Forest Green).”

The Snow Lay On The Ground

Late intermediate level. This lighthearted arrangement of Ash Grove works well as a solo piece in church services with a thanksgiving theme. It begins simply but soon becomes more difficult with parallel thirds and sixths providing an ultimately satisfying challenge for the enterprising pianist. This is part of a collection of four Thanksgiving pieces, the others being “Come, Ye Thankful People, Come,” “Now Thank We All Our God,” and “We Gather Together to Ask the Lord’s Blessing.”

Let All Things Now Living

An energetic realization of Acts 2:1-4, perfect for Pentecost.

And They Were Filled With The Holy Spirit

A lively start to an Easter service. Hints of Christ ist erstanden (Christ the Lord is risen again!) permeate the work. A more extended version for Organ and Brass is also available.

Easter Fanfares for Organ

This adventurous work offers plenty of challenges for both organist and pianist. Beyond that, it's just plain fun to play. There are plenty of hints of the refrain to Angels, we have heard on high (Gloria).

Christmas Toccata

Organ & Piano Duet

Late Intermediate level. This arrangement offers two contrasting variations on this familiar advent hymn tune. A fun piece that can serve as either Prelude or Postlude.“O Come, O Come, Emmanuel” is part of a collection of five Advent pieces, the others being “Come, Thou Long-Expected Jesus,” “Comfort, Comfort You My People,” “Creator of the Stars of Night,” and “Let All Mortal Flesh Keep Silence.”

O Come, O Come, Emmanuel

Intermediate level. This lively, playful arrangement of St. George’s, Windsor works particularly well as an Offertory or Postlude. The melody switches between left and right hand, with a few spots requiring some close attention to fingering. This is part of a collection of four Thanksgiving pieces, the others being “Let All Things Now Living,” “Now Thank We All Our God,” and “We Gather Together to Ask the Lord’s Blessing.”

Come, Ye Thankful People, Come

Intermediate level. This energetic, flowing arrangement of Nun Danket Alle Gott would serve well as an Offertory or Postlude. The toccata-like opening builds toward a triumphant restatement of the tune. This is part of a collection of four Thanksgiving pieces, the others being “Come, Ye Thankful People, Come,” “Let All Things Now Living,” and “We Gather Together to Ask the Lord’s Blessing.”

Now Thank We All Our God

Intermediate level. This spirited arrangement of Kremser (“We Gather Together to Ask the Lord’s Blessing”) works well as a Prelude or Offertory. While the tune is presented three times in the right hand, the left hand offers a different accompaniment for each verse, with opportunities for expressive playing. This is part of a collection of four Thanksgiving pieces, the others being “Come, Ye Thankful People, Come,” “Let All Things Now Living,” and “Now Thank We All Our God.”

We Gather Together to Ask the Lord's Blessing

Brother James' Air is a setting of Psalm 23 (The Lord's My Shepherd), The tune appears in various forms throughout the work, including in a three-part canon involving both hands and feet.

Meditation on Brother James' Air

This lively work takes Psalms 98:4 and 100:1 to heart. It's perfect for celebratory occasions.

Make a Joyful Noise

An energetic and lively setting of the Welsh hymn tune St. Denio. Originally intended to be the finale of a set of 8 variations (available separately), the work took on a life of its own.

Variation on Immortal, Invisible

A reflective work, with a dialog between two contrasting solo stops.

Aria for Organ

Intermediate level. After a clear statement of the hymn tune Stuttgart, a more fantasy-like variation is presented, offering plenty of opportunity for an expressive interpretation of the tune. This arrangement works well in church settings as a Prelude or Offertory or whenever a reflective piano work is needed. “Come, Thou Long-Expected Jesus” is part of a collection of five Advent pieces, the others being “Comfort, Comfort You My People,” “Creator of the Stars of Night,” “O Come, O Come, Emmanuel,” and “Let All Mortal Flesh Keep Silence.”

Come, Thou Long-Expected Jesus

Late Intermediate level. This energetic piece makes a wonderful Postlude. “Let All Mortal Flesh Keep Silence” is part of a collection of five Advent pieces, the others being “Come, Thou Long-Expected Jesus,” “Comfort, Comfort You My People,” “Creator of the Stars of Night,” and “O Come, O Come, Emmanuel.”

Let All Mortal Flesh Keep Silence

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