Andrew Aird

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Salut d'Amour Op. 12 for solo violoncello and string orchestra/quintet.

It was originally composed by Edward Elgar and published in 1888, for violin and piano. It was dedicated 'Carice' (Carole Alice Roberts) , whom he married in 1890.


Parts for Violoncello Solo, Violins 1 and 2, Viola, Violoncello, Double Bass. Extra parts for Violin 3 (viola part) and Violoncello 2 (double bass part). Orchestra parts are AB grade 4/5 level, solo violoncello part AB grade 5+.

One of three similar pieces available here, Chanson du Matin and Chanson de Nuit

Salut d'Amour

String Orchestra Score & Parts

Chanson de Matin, Op. 15, No. 2, was composed by Edward Elgar for violin and piano, and later orchestrated by the composer. Its first publication was in 1899.

Parts:

Violin Solo
Violin 1
Violin 2
Viola
Violoncello
Double Bass
Extra parts supplied for Violin 3 (Viola part) and Violoncello 2 (Double bass part)

Orchestra parts are AB grade 4/5 level, solo violoncello part AB grade 5+.

One of three similar pieces available here, Chanson du Matin and Salut d'Amour

Duration: 2min 11 secs

Chanson de Matin

Ensemble

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An arrangement of Chanson de Nuit, Op. 15, No. 1 for solo Viola and string orchestra or quintet. It was composed by Edward Elgar for violin and piano, and later orchestrated by the composer. Its first publication was in 1897 but it was almost certainly written in 1889 or 1890.

Parts for Viola Solo, Violins 1 and 2, Viola, Violoncello, Double Bass. Extra parts for Violin 3 (viola part) and Violoncello 2 (double bass part). Orchestra parts are AB grade 4/5 level, solo viola part AB grade 5+.

One of three similar pieces available here, Chanson du Matin and Salut d'Amour

YouTube Link https://youtu.be/8w2d57EzYQA

Chanson de Nuit

Viola Quintet

5 lively, varied pieces for medium ability string orchestra (AB grade 3+) based on traditional melodies from the Morvan region of France. Great fun to play, ideal for concert use.


Provided with extra parts: Violin 3 (transcription of Viola), Violoncello 2 (transcription of Doublebass) and Piano/keyboard reduction for rehearsal use.

1. Scottisch de Marmagne 1'45" - lively 'jig'

2. Valse Lente 2'03" - haunting melodic waltz

3. Bourrée 1'42" - a rousing reel

4. Vielle Valse 1'50" - the sound of the vielle (hurdy-gurdy)

5. J. Scottisch B. 3'23" - Bach visits the Morvan!



The Morvan is an unspoilt region of central France, on the western edge of Burgundy. Over the centuries the traditional music of the Morvan has thus been enriched by 'foreign' influences hence their titles – Scottisch, Mazurka, Waltz, etc. The main instruments on which these meolodies were played are the vielle à roues (a kind of hurdy-gurdy), the cornemuse (small bagpipes), the accordion and the violin. In these arrangements I have attempted to preserve the character of the melodies, whilst giving them another guise in various styles and variations. While making this collection of arrangements, I found myself wondering what Beethoven, Bach or Bartók might have made of the Morvan: I hope you can find their influence in some of these pieces!

Le Bal du Morvan

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Salut d'Amour

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Le Bal du Morvan