At That Hour When All Things Have Repose
Henry Dehlinger
In this gorgeous setting of text by James Joyce, a soft melody rises above the opening bass octave. The emphasis on the monosyllables establishes the text's iambic rhythm. But the effect is a slowing of the tempo, thus achieving the … Read More
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In this gorgeous setting of text by James Joyce, a soft melody rises above the opening bass octave. The emphasis on the monosyllables establishes the text's iambic rhythm. But the effect is a slowing of the tempo, thus achieving the "repose" intimated in the first line. "Play on, invisible harps, unto love" is emphasized by corresponding arpeggios in the piano, mimicking a harp.