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At That Hour When All Things Have Repose
Henry Dehlinger
In this gorgeous setting of text by James Joyce, a soft melody rises above the opening bass octave. The emphasis on the monosyllables establishes the text's iambic rhythm. But the effect is a slowing of the tempo, thus achieving the … Read More
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High Solo
Pepper ID: 11206418Supplier ID: MSHD01-142
Price:$4.95
Ships from J.W. Pepper
Level:
A
A
Price:$4.95
High Solo
Pepper ID: 11206418ESupplier ID: MSHD01-142
Price:$4.95
Print Immediately in My Account
Level:
A
A
Price:$4.95
Medium Solo
Pepper ID: 11206419Supplier ID: MSHD01-148
Price:$4.95
Ships from J.W. Pepper
Level:
A
A
Price:$4.95
Medium Solo
Pepper ID: 11206419ESupplier ID: MSHD01-148
Price:$4.95
Print Immediately in My Account
Level:
A
A
Price:$4.95
In this gorgeous setting of text by James Joyce, a soft melody rises above the opening bass octave. The emphasis on the monosyllables establishes the text's iambic rhythm. But the effect is a slowing of the tempo, thus achieving the "repose" intimated in the first line. "Play on, invisible harps, unto love" is emphasized by corresponding arpeggios in the piano, mimicking a harp.