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Cripple Creek

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“I Heard the Bells on Christmas Day” is a Christmas carol based on the 1863 poem “Christmas
Bells” by American poet Henry Wadsworth Longfellow. The poem tells of him hearing Christmas bells
during the Civil War, but despairing that “hate is strong and mocks the song of peace on earth, good
will to men”. After much anguish and despondency, the poem concludes with the bells ringing out with
resolution that “God is not dead, nor doth He sleep” and that there will ultimately be “peace on earth,
good will to men”.
This version is based on the melody “Waltham” composed by English organist, John Baptiste
Calkin, that he previously used as early as 1848. The Calkin version of the carol was long the standard,
and later supplanted by the one composed by Johnny Marks in 1956 and recorded by Bing Crosby.
Composed in 3/4 rather than the standard common time, The Bells conveys the message as intended
in Wadsworth’s poem, with a hint at the darkness of his times, followed by the overpowering optimism
inherent in the final stanza:
Then pealed the bells more loud and deep:
“God is not dead, nor doth He sleep;
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men.”

The Bells

Written for the Cypress Symphonic Band, A Wexford Fantasy is based on the
  traditional religious Irish Christmas carol (known in Irish as Carul Loch
  Garman, or Carul Inis Corthaidh) said to originate from County Wexford and,
  specifically, Enniscorthy. 
    
    This setting is a shortened fantasy, a term first applied to music during
  the 16th century, referring to a musical idea rather than compositional form.
  From meter changes, to harmonic, melodic, and modal variants, A Wexford
  Fantasy will be a delight for both your band and your audience!

A Wexford Fantasy

Immerse yourself in the vibrant rhythms of "Tres Pasitos," a lively concert march by composer R. Glascock. Perfect for advancing ensembles, this piece captivates with its spirited tempo and engaging melodies. Elevate your concert repertoire and inspire your musicians with this dynamic and festive musical celebration. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Tres Pasitos

Ensemble

Instrument Family

Kirkwood

Woodwind Choir

"O Holy Night" (also known as "Cantique de Noel") is
  based on a 17th century French-language poem by poet Placide Cappeau. The
  composer Adolphe Adam set this poem to music in 1847, creating the well-known
  Christmas carol.
    
    While most arrangements of this carol are in 6/8, this setting is in 4/4,
  with only a hint of the common triple patterns found in the accompaniment
  that so plague those bands striving for consistency. Simple and to the point,
  this arrangement is appropriate for young bands as well as adult groups.
  Opening with unison horns on the melody and clarinet accompaniment, it
  finishes with the full ensemble in all its glory before ending as quietly as
  it began. The delicate trumpet solo at the key change is a treat, changing
  the character of the piece to something more intimate--almost a lullaby. Your
  audience will love this!

O Holy Night

Immerse yourself in the dynamic and compelling "Lifeforce" by R. Tucker, a robust piece ideal for Concert and Contest settings. This composition masterfully blends vigorous rhythms with intricate melodies, offering performers a chance to showcase their technical prowess and emotional depth. Elevate your ensemble's repertoire with this exhilarating work. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Lifeforce

On May 24, 2022, a gunman armed with an AR-15 entered Robb Elementary School and killed 19 children and two teachers. This piece (the second of two) attempts to capture the horror of that day. The title references the now infamous "the screams of children have been removed" from the security footage.
The work begins gently, as if waking, then rolls into and through the event itself, augmenting and pounding the opening melody, transforming it into a nightmarish theme. What follows is almost hopeful, as parents await news of their children. But the hope turns to anguish, and the opening melody returns again in the mothers' keening and the fathers' haunting dissonant counterpoint. It ends almost as it began; gently, with the underlying message that nothing has changed. That nothing will ever change.
Not unless we change.

Their Cries Removed

La cathedrale engloutie--The Sunken (or Engulfed) Cathedral--is the tenth prelude from Claude Debussy's first of two volumes of twelve preludes each for solo piano. Published in 1910, it is characteristic of Debussy in its form, harmony, and content, and is an example of musical impressionism, where the music depicts a place, event, or idea. Specifically, this piece describes an ancient Breton myth in which a cathedral, submerged underwater off the coast of the Island of Ys, rises from a calm sea to the sounds of priests chanting, bells chiming, and  an organ playing.When the cathedral rises, your brass will shine!

La cathedrale engloutie

"The Wayfaring Stranger" (also known as "Poor Wayfaring Stranger", "I Am a Poor Wayfaring Stranger", or "Wayfaring Pilgrim") is a well-known American folk and gospel song likely originating in the early 19th century about a plaintive soul on their journey through life. As with most folk songs, variations of the lyrics exist, and many singers have linked the song to times of hardship and notable experiences in their lives.
The origins of the song are unclear, some have speculating the song is a descendant of the Scottish border ballad "The Dowie Dens of Yarrow", while others have suggested it came from the German hymn "Ich bin ein Gast auf Erden" ("A Pilgrim Here I Wander").
This setting for band and children's chorus begins with a solo and includes a descant at the end, both of which may be adjusted as needed. Generous cueing allows this to be performed without chorus, and the inclusion of a piano allows for chorus without band.

Wayfaring Stranger

Kirkwood is a work devoted to the history of the town and its
  "founder" James P. Kirkwood. As Kirkwood was born in Edinburgh,
  Scotland, the piece is intended to emulate the music of the Scottish Pipe
  Bands and its folk song traditions.
    
    The first movement, Battle for the Bell, is a march in 4. The optional
  percussion is intended to add to the martial nature of the music, as a group
  of warriors prepare for battle. 
    
    The second movement, Missouri River Runner, is a slow strathspey in 3, and
  is intended to be evocative of a peaceful train rideiwithout the usual
  "train" musical trappings. The middle section of this movement is
  an impression of the journey as the train passes by and over the Missouri
  River.
    
    Greentree Parade, the final movement, is a reel, and is a rousing finale to
  the entire work.

Woodwind Ensemble

"Three Kings and a Joker" by C. Weeks is a regal concert march that skillfully weaves majestic melodies with playful interludes. This vibrant composition captures the essence of ceremonial pomp and unexpected twists, making it perfect for ensembles seeking to showcase precision and spirited dynamism. A true musical jewel! - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Three Kings and a Joker

Unveil the musical brilliance of "Suite for Band" by K. Booker. A masterpiece crafted for concert and contest stages, this composition resonates with dynamic textures and harmonious interplay. Elevate your ensemble's performance with the rich, intricate layers that challenge and showcase each musician's skill. An essential addition to any repertoire. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Suite for Band

Immerse your band in the stirring dynamics of "Hymn for Band" by R. White. Perfect for concert and contest settings, this piece captivates with its solemn melodies and intricate harmonies, offering an emotional journey that both challenges musicians and delights audiences. Elevate your ensemble's performance with this profound composition. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Hymn for Band

In the summer of 1891 Bob Womack discovered gold in the Cripple Creek
  region of Colorado near Colorado Springs, setting off the Cripple Creek Gold
  Rush.  In his euphoria (otherwise known
  as a drunken stupor) he sold his claim for $500 in cash.  By the fall of 1891 the Cripple Creek Gold
  Camp had grown up around the area and was teeming with hopeful miners.
    
    The first movement of this work, Poverty Gulch (so named because Bob Womack
  had search the area for 12 years without ever finding gold), is a depiction
  of one womanis accidental discovery in that area (while elk watching, of
  all things) of a particularly rich veiniending with her sneaking back to
  town with her hidden samples to stake a claim.
    
    A Chuisla Mo Chroi (the pulse of my heart) is an impression of the
  prospectoris emotions as they search for their heartis desire.  There is a longing and heartache that all
  prospectors feelisometimes for the strike they never make, or for the girl
  they left behind.
    
    Mining the Mollie Kathleen is more march than jig.  It is a simple description of the elation
  all prospectors must feel when they make that first discovery of gold.
    
    
    
    A challenging work for a high school wind ensemble, but every section gets
  their chance to shine!

Written for concert band, "Those Christmas Kings" is a jazz waltz based on three traditional Christmas carols: "We Three Kings", "Good King Winceslas", and "Once in Royal David's City".  All three were originally published within a single decade of one another, with each becoming popular in its own right. While the first two are quoted throughout this arrangement, "Once in Royal David's City" gets its own special treatment in the 5/4 section, using the carol's traditional performance practice of solos followed by full chorus. This setting, using jazz styles and harmonies, updates these carols for your audience. Always cool, and sometimes a little crunchy, "Those Christmas Kings" is a wintery Christmas blanket of snow for your next holiday concert!

Those Christmas Kings

This is a wonderful, lyrical piece for any band, and will serve your
  young group well!
    
    The lyrics for The Banks of the Dee were written by John Tait in 1775, when
  a friend left Scotland to join the British forces in America. The second stanza
  hints at the conflict with the second stanza and its reference to iproud
  rebelsi:
    
    
    
    But now heis gone from and left me thus mourning,
    
    	To quell the proud rebelsifor valiant is he;
    
    And ah! thereis no hope of his speedy returning,
    
    	To wander again on the banks of the Dee
    
    
    
    Set to the tune Langolee (a common Irish aire) and sung by soldiers on both
  sides, this song soon became one of the most popular tunes sung by the
  British during the Revolutionary War.

Langolee

On May 24, 2022, a gunman armed with an AR-15 entered Robb elementary
  School in Uvalde, Texas, and killed 19 children and two teachers. One of
  those victims was 10-year-old Maite Rodriguez. A lover of animals and the
  environment, sheAd dreamed of becoming a marine biologist, and often wore a
  pair of green high-top Converse shoes with a heart drawn on the toe of the
  right shoe. Because of the damage such a weapon of war causes, the shoes
  turned out to be the only clear evidence that could identify her after the
  shooting.
    
    A charming and moving work for band, this piece is dedicated to all the
  victims, but especially the children whose lives were taken almost before
  they began.

Green Shoes Lullaby

Vetrate di Chiesa (Church Stained Glass Windows, 1926) The first three movements are based on "Tre preludi sopra melodie gregoriane" for piano, composed in 1921. Respighi consulted a literature professor, Claudio Guastalia, to help him find a title and subtitles for the orchestrated version. Guastalia's mental images upon hearing the music are the source of the quotations before each movement, which describes the drama of a major church event as depicted in the stained glass windows of Italian churches.
 
This transcription for wind ensemble skillfully preserves the keys, texture, and everything about this work that makes it so special, while allowing for the full wind ensemble experience. Every notational aspect of the original is reproduced where possible and adjusted where necessary for modern practice.

Vetrate di Chiesa

Cascades

Global Sections - CORE [DO NOT TOUCH]*

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