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This wind quintet, consisting of three movements, is considered to be the first composition of this French organist and composer.

Quintet for Winds

Woodwind Quintet

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Voice

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An evocative setting for divisi mixed choir with piano accompanimentof Richard Dehmel's "Mondnacht" from his collection "Aber die Liebe" (1893). This is the first in a series of the publication of Heinrich Schenker's choral compositions.

Mondnacht

SATB Octavo

Parts

"The Comedians," Op. 26, is an orchestral suite of ten numbers by Dmitry Kabalevsky. It is one of his best-known and best-loved works. In particular, "The Comedians' Galop" (No. 2 from the suite) is probably the single most famous piece of music he ever wrote. It has the same recognition factor as an easily accessible work by a Soviet composer as the "Sabre Dance" from Aram Khachaturian's ballet Gayane (1942).

Comedian's Gallop

Concert Band Part

<p>This patriotic march is a tribute to the revolutionary spirit sweeping the colonies in the early 1770s. The title is a reference, of course, to the sentiment on General Christopher Gadsden's rattlesnake flag. This work is scored for traditional wind band, and references three popular tunes of the day Yankee Doodle, Heart of Oak (The LIberty Song ) and Chester.</p>

Don't Tread On me

Concert Band Score & Parts

The rollicking and frenetic Gypsy Dance from "Carmen" here transcribed for concert band will have a rousing addition to any concert!

Bohemian Dance (Danse Boheme)

Brass Band Score & Parts

Faithful and unabridged this masterful transcription of Rimsky-Korsakov's beloved work for the modern concert band will make a wonderful centerpiece in any program.

Russian Easter Overture

Unleash the rich textures and intricate melodies of "Quintet for Winds, Op. 88, No. 1" by Anton Reicha, thoughtfully arranged by Marc Oliver. Ideal for concerts and contests, this piece challenges musicians to explore dynamic interplay and expressive harmonies, perfect for advancing any ensemble's repertoire with classical sophistication. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Quintet for Winds, Op. 88, No. 1

Tchaikovsky referred to the piece as his Serbo-Russian March while writing it. It was premiered in Moscow on November 17  1876, conducted by Nikolai Rubinstein. The march is highly programmatic in its form and organization. The first section describes the oppression of the Serbs by the Turkish. It uses two Serbian folk songs, Bright sun, you do not shine equally and Gladly does the Serb become a soldier - giving way to the second section in the relative major key, which describes the Russians rallying to help the Serbs. This is based on a simple melody with the character of a rustic dance which is passed around the orchestra until finally it gives way to a solemn statement of the Russian national anthem "God Save the Tsar." The third section of the piece is a repeat of Tchaikovsky's furious orchestral climax, reiterating the Serbian cry for help. The final section describes the Russian volunteers marching to assist the Serbs. It uses a Russian tune, this time in the tonic major key and includes another blazing rendition of God Save the Tsar prophesying the triumph of the Slavonic people over tyranny. The overture finishes with a virtuoso coda for the full orchestra. The piece shares a few refrains with the 1812 Overture, with which it is frequently paired in performance. This is the Tsarist (i.e., non-Soviet) Version.

March Slav

"Shrine of Liberty" masterfully arranged by Marc Oliver, captures the spirit of patriotism through the evocative melodies of Fred Jewell. This piece stirs the soul with its majestic harmonies and robust orchestrations, making it an ideal selection for concerts and civic events celebrating the enduring spirit of freedom. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Shrine of Liberty

Instrument Type

"Quem Quaeritis?" is derived from the account of the visit to Christ's tomb by the women. The scriptural reference is Matthew 28:5 respondens autem angelus dixit mulieribus nolite timere vos scio enim quod Iesum QUI crucifixus est QUAERITIS.

Quem Quaeritis

Organ Score

Divertimento in E-flat major by W. A. Mozart scored for woodwind quintet. Movements included are:I. AndanteII. MenuettoIII. PolonaiseIV. Presto assai

Divertimento for Winds No. 12, K.252

"Abschied der Gladiatoren" is a march Blankenburg wrote when he was eighteen, originally titling it Deutschlands Fuersten (Germany's Princes) . In 1904, he submitted it to Hawkes &amp; Son for a march competition. Hawkes selected his march from over 500 submitted as first prize with the proviso the title could be changed  to the present one. The march became very popular during Blankenburg's lifetime, and now can be enjoyed in this new edition by Marc Oliver.

Abschied der Gladiatoren

The "Estudiantina Waltz," or "Band of Students Waltz" is a musical arrangement, made in 1883, by Emile Waldteufel, which would be his Opus 191, No. 4. Its melody was composed earlier in 1881 by Paul Lacome, with lyrics by J. de Lau Lusignan.

Estudiontina, Op. 191

In the third of Heinrich Schenker's Op. 8 songs ("Der Traum" by Ludwig Uhland) two lovers imagine themselves to be in each other's arms in a beautiful garden but the reality is much darker...

Der Traum

SSAA Octavo

This staple of the orchestral repertoire is now available in a faithful transcription by Marc Oliver for your concert band. An excellent companion piece for Grundman's Finnish Rhapsody. Or maybe that should be the other way round...

Finlandia

<p>This arrangement of our National Anthem employs mixed choir and used the third and the fourth stanza of Francis Scott Key's poem imaginatively re-harmonized by Marc Oliver. Includes 15 copies of the choral octavo.</p>

The Star Spangled Banner for SATB Choir and Band

Experience serenity with this divine arrangement of William Byrd's "Ave Verum Corpus," masterfully adapted by Lucyanne Georger Gordon. Perfect for  sacred concerts, this piece allows ensembles to explore the ethereal beauty of Renaissance polyphony, bringing an atmosphere of reverence and awe to any performance. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Ave Verum Corpus

This staple of the concert hall is now available in a new arrangement by Marc Oliver and is sure to be a crowd pleaser at your next concert.

Overture to "La Gazza Ladra"

Ignite the forge with "Song of the Blacksmith" by Gustav Holst, masterfully arranged by Marc Oliver. This piece, perfect for concert and contest settings, captures the rhythmic essence and robust energy of a blacksmith's workshop. Elevate your ensemble's performance with this dynamic, spirited composition that reverberates with craftsmanship. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Song of the Blacksmith

Brass Quintet

The text of this familiar poem is set to an uncharacteristically brisk
  tempo. The premise behind this is to catch the feel of a horse constantly
  traveling through the woods. Even though it is written in 6/8 time
  throughout, the rhythm of the piece suggests a constant change from a 6/8 to
  a 3/4 feel, as a wooded path is rarely stable. It is imperative to feel the
  differences between the two rhythmic feels when they occur. At times the two
  different feels appear simultaneously. When this occurs, it is does so when
  the text suggests moments of insecurities and doubt. At measure 95, the
  accents are an integral part of the feel of the text. It suggests an uneasy
  feel of the horse and it also plays on the word "mistake since all of
  the accents are not placed on the strong beat of these "3/4 measures.
  These measures should definitely be conducted in 3. The soprano C6 at the end
  in optional depending on the capabilities and comfort level of the ensemble
  performing the piece. Whose woods these are I think I know. His house is in
  the village though; He will not see me stopping here To watch his woods fill
  up with snow. My little horse must think it queer To stop without a farmhouse
  near Between the woods and frozen lake The darkest evening of the year. He
  gives his harness bells a shake To ask if there is some mistake. The only
  other sounds the sweep Of easy wind and downy flake. The woods are lovely,
  dark and deep, But I have promises to keep, And miles to go before I sleep,
  And miles to go before I sleep. --Robert Frost (1923)

Stopping By Woods on a Snowy Evening

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