Bakers Jazz and More

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As the title suggests, this chart prominently features the trombone section, both on the melody and a soli section. Based on the chord changes of the classic jazz standard Doxy, it features written solos for alto sax or trumpet and for tenor sax, piano, or guitar. Bass and piano parts are both written out, too. The shout section provides saxophone soli space before the trombones get the final say in the outro. Trumpet range is to written G; trombone range is to F.

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Jazz Ensemble Score & Parts

Take a trip back to the Cool School of the 1950s with this impressive swinger. With an accessible tempo, this chart features tenor sax, trumpet, and guitar on a boppish melody presented in the Gil Evans/Miles Davis Birth of the Cool style. The sax section is featured in a soli setting for the bridge. Solo space for tenor sax and trumpet (guitar can easily be featured as well) is followed by a tutti ensemble 16-bar shout section. The trumpet range is to written high C, trombone to G.

In Closing

Series

An easy 12-bar blues in F for the young ensemble that focuses on the essential swing eighth-note rhythm. The chart opens with a 24-bar piano solo (written solo provided) followed by the melody riff which is passed throughout the horns. Two choruses of sax soli lead into the solo section, where written solos are also provided. A 24-bar shout chorus gets everyone swinging. Trumpet to written G. Trombone to F. Piano and bass parts are written out.

Riff the Wonderdog

Named after the legendary Harlem nightclub where bebop was born, this medium swing chart speaks the language of bebop from the first measure to the last. Trumpets and altos state the melody echoing Bird and Diz. Solo space is provided for alto sax and trumpet. A challenging shout chorus follows, leading to the grand finale. Trumpet range is to written high C; trombone range is to G. Give your students experience with the language of bebop!

Hittin' at Minton's

A New Orleans street parade comes to life with this chart! A 2nd line snare drum beat drives the Dixie-based ensemble, complete with tailgate trombone. There are written solos for trombone, alto sax, plunger trumpet, and bass, and tuba may be substituted for the bass for even more authenticity. An additional clarinet part is included as well. An exchange between the drums and ensemble leads to a roll off that launches the shout section and traditional ending. The trumpet range goes to written high G and trombone to F. Highly recommended!

The Mudbug Strut

Wow... orange drink with an attitude! Texas writer Paul Baker presents an outstanding funk chart beginning with a piano riff to set up the rhythm groove before the trumpet and altos hit with the melody. Trombones and low saxes support with counterpoint. After the trombones take it through the bridge the saxes again state the melody in a dramatic stop time section that moves into the trumpet and trombone solos. After a drum solo, the bari and bass trombone shine as they set the funky foundation for the shout chorus. A return of the piano riff sets up the final melodic statement and dramatic coda. Trumpet range to written High C. Trombone to G. Pure fun, and highly recommended!

Arnge Drank

Based on the chord changes from Stanley Turrentine's classic tune Sugar, this bluesy swing chart shows off the full range of your ensemble's style, dynamics, and swagger. Opening with a powerful ensemble statement, the melody follows with an alto/trumpet unison when the ante is abruptly upped by the brass announcing their presence. Sixteen bars of sax soli are followed by solos (written solos provided). A powerful shout section is followed by a group improvisation section, which leads to a recap of the intro and a strong finish. Trumpet range to written high C. Trombone to G. Piano and bass parts are written out.

Sweet Tea

Un poco mas - a little bit more- that's what this chart offers, and it delivers! Opening with a definitive brass statement, it settles into a smooth Latin groove before switching things up with a half-time feel on the bridge. Returning to Latin, the form finishes and launches into the solo sections. Both solos can be successfully navigated using only the concert F harmonic minor or F blues scales. Written solos are provided for trumpet and tenor sax. The chart ends with a roar to the finish line!

Un Poco Mas

Based on the chord progression from the Duke Ellington/Billy Strayhorn classic Take the "A" Train, this chart opens with the train's arrival at the station, where it's "All aboard!" for a fun swinging adventure. Trombone and alto sax solos (written solos provided) are followed by trading fours between the brass and the bassist (written solos are provided here as well). A full-bodied shout chorus follows, including an 8-bar sax soli. Our musical adventure comes to a close with the train pulling back into the station with smiles all around. Trumpet range to written high D. Trombone to A. Written piano and bass parts are provided.

Canada by Rail

Take a trip back to the Cool School of the 1950s with this impressive swinger. With a very accessible tempo of 128 bpm, this chart features tenor sax, trumpet, and guitar on a boppish melody presented in the Gil Evans/Miles Davis Birth of the Cool style. The sax section is featured in a soli setting for the bridge. Solo space for tenor sax and trumpet (guitar can easily be featured as well) is followed by a tutti ensemble 16-bar shout section. As the title suggests, there is a surprise in the form of an eight-bar trombone/bass soli that arrives on the bridge before the ensemble resumes command for the dramatic finish. The trumpet range is to a written high C, trombone to G.

Neon Green

A great introduction to modal jazz in F natural minor, this swings hard at 164 bpm. Saxes and trombones carry a unison melody that expands into unison counterpoint. Written solos are provided for alto, tenor, trumpet, trombone, and guitar. Additional solos may be added as desired. A major feature of this chart is an optional 16-bar drum solo accompanied by bell-tone chords in the ensemble, referencing the bells of Notre Dame Cathedral. A short sax soli follows, leading into the final shout and ending. Trumpet to written G; trombone to F. Piano and bass parts are written out.

Quasi-modal

Salute the unsung hero of the jazz ensemble, the piano player, with this accessible piano feature! 88 Ave. B is an accessible Basie-style swinger that features the piano throughout with tasty fills and a place in the spotlight. Written solos are provided for the piano as well as trumpet and trombone. Each section has a chance to shine in this appealing chart. The trumpet range goes to written high G and the tempo swings easy at around 138 bpm.

88 Ave. B

This energetic Latin rock chart features a driving beat and a more relaxed half-time feel. Numerous solo opportunities with written solos are provided along with easy, accessible chord changes. There's four-bar drum solo space as well as ample opportunity to add more Latin percussion.

Aventuras

Featuring a tenor saxophone soloist, Curveball is in the style of the Ray Charles big band. It opens with huge ensemble brass and bluesy sax lines that switch in and out of a double-time swing feel. The navigation from swing ballad style, double-time feel, and true medium swing and the return to the original swing ballad style helps to define the chart throughout. A soulful melody for the soloist, which is written and improvised, is icing on the cake, along with an improvised solo and cadenzas at the end. Brass ranges: trumpet to written high D and trombone to written G. This is a real powerhouse chart for the entire band and an important addition to the tenor sax solo repertoire!

Curveball

In the relaxed swinging tradition of Sammy Nestico and Count Basie, the title refers to the conversation that begins in the melody as two groups call and respond to each other. Trumpet range is to written G; trombone range is to F. After the melody is thoroughly discussed, the chart moves on to a 16-bar written piano solo which is followed by a 16-bar written tenor sax solo. Chord changes are provided for both. A powerful shout chorus is followed by a return to the bridge and then a final hard-swinging hurrah before the classic Count Basie piano ending.

Say What?

This fantastic chart presents a duo of tenor sax and trumpet riding the energetic salsa of the rhythm section. Substantial solo space for both tenor and trumpet is followed by an eight-bar drum solo that leads into the shout section. This chart is full of great opportunities to showcase your players!

Los Dos

Based on the chord progression from the Duke Ellington–Billy Strayhorn classic Take the "A" Train, this chart opens with the train's arrival at the station where it's "All aboard!" for a fun swinging adventure. Trombone and alto sax solos (written solos provided) are followed by trading fours between the brass and the bassist (written solos are provided here as well). A full-bodied shout chorus follows, including an eight-bar sax soli. The musical adventure comes to a close with the train pulling back into the station with smiles all around. Trumpet range to written high D; trombone to A. Written piano and bass parts are provided.

So Here's the Thing

Here is a high-energy melodic rock chart that features the guitarist in your band in a nod to the famous Pat Metheny Group. Hitting hard from the outset, this chart provides great opportunities to show off a strong drummer as well, both with the ensemble and in an extended solo section. Trumpet range is to written D. Trombone range is to A flat. Solo opportunities are also present for trombone and tenor sax. After the horn solos, a long development section featuring the drums builds to the shout chorus and the return of the bridge and final climax.

Group Dynamics

A raucous 12-bar blues in the key of B-flat with opportunities for everyone to solo. Background riffs are provided for each section, and the band is encouraged to come up with their own. After the melody is stated, the sax section gets two choruses of section soli work. The shout section features the foundational concept of call and response between each section before coming together in a full tutti chorus, then a quick outro concludes the piece. Solo changes are provided in all parts, and piano and bass parts are written out. Trumpet range is to written G; trombone range is to F.

Two Down Territory

This is a great-sounding chart that holds the interest and comes together quickly - a superb choice for any concert program! This is a great piece to teach syncopation and Latin rhythms. The melody is first stated by a solo trumpet, and the sax section follows. The trombones are featured on the bridge before the ensemble returns to finish the form. Ample solo opportunities follow with textural backgrounds for support. After a sax soli, the brass get their chance to answer in kind with some hot licks of their own. The trumpet range is to a written high C, trombone to F sharp.

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