Blue Moose Music

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The hymn-tune AZMON, originally written by the German musician
and composer Carl Glaser, was modified by the American music educator and church musician, Dr. Lowell Mason. 
  Advancing brass players will find this arrangement moderately
challenging (Trumpet 1 goes to C above the staff, but with optiomal notes included) and appropriate for concerts, recitals, church services and other special occasions. It is scored for Bb Trumpet 1, 2; F Horn, Trombone, Euphonium and Tuba. Alternate/Optional parts are available for C Trumpet 1, 2; Eb Horn, Trombone and Euphonium Treble Clef; Eb Tuba-Treble Clef.

Gigue on AZMON

Brass Sextet

Advancing brass players will find this arrangement very rewarding; it is
  suitable for concerts, recitals, church and memorial services and other
  special occasions.
    
       This melody is so closely wedded to
  the text of this hymn that any arrangement of it will evoke the lyrics by
  Horatio G. Spafford. Spafford was a Chicago businessman who lost much of his
  wealth in the Chicago Fire of 1871. Shortly thereafter his wife and daughters
  were on a ship that sank off the coast of Wales. His wife sent him a telegram
  that read, iSaved alone.i When Spafford sailed the same route a few weeks
  later, passing by the presumed location of the earlier tragedy, Spafford
  penned these words:
    
    iWhen peace like a river attendeth my way; When Sorrows like sea-billows
  roll;
    
    Whatever my lot, Thou hast taught me to say: It is well, It is well with my
  soul.i
    
    These comforting words have sustained many Christians in the years since
  they were written.
    
    
    
     Although the Horn has the melody in
  the first stanza, this arrangement is not technically a ihorn feature.i

It Is Well

Brass Quintet

Oscar Fuchs was born Oskar von Diebitsch in Altona, a suburb of
    
    Hamburg, Germany, where he studied music and was trained as a classical
  musician. His Chamber Music SuiteGondoliera, (Gondola Song), Abendlied
  (Evening Song) and Scherzo--- was originally published and known in Germany
  as Drei Salonstucke (Three Chamberworks), which indicated that they were of a
  lighter nature. Composed in 1888 and published the next year,
    
    these charming pieces make fine encores separately or a nice lighter work
  when played together.
    
       This arrangement for Brass Sextet
  is accessible for advancing musicians (high school or adult) and suitable for
  concerts, recitals and other special occasions. It is scored for Bb Trumpet 1
  &amp; 2, F Horn, Trombone, Euphonium and Tuba. 
    
       Additional/Optional parts
  are
    
    available for C Trumpet 1 &amp; 2; Eb Horn, Treble Clef Trombone and
    
    Euphonium; Eb Tuba-Treble Clef. Performers and listeners alike will enjoy
  Fuchs' Chamber Music Suite.

Chamber Music Suite

Ludwig van Beethoven (1770-1827) was one of the towering figures of
    
    19th century music, bridging the Classic Era of Mozart and Haydn and the
  Romantic Era of Brahms and Tchaikovsky. His Ninth Symphony (Choral) is
  considered one of the greatest artistic achievements of Western
  civilization.
    
    *Beethovens Sextet (Op. 71) was originally scored for 2 clarinets, 2
    
    bassoons and 2 horns in Eb. Here it is scored for the modern brass sextet:
  2 Bb Trumpets; Horn; Trombone; Euphonium; Tuba. Addition/Optional parts
    
    are available for 2 C Trumpets, Eb Horn, Trombone &amp; EuphoniumTreble
  Clef; Eb Tuba-Treble Clef.
    
    Advanced musicians will find this lovely work appropriate for festivals,
  concerts, recitals, and other special occasions.

Sextet - Mvt. 1

Instrument Type

Dauprat's Quartet No.5 (~3:55) for Trombones or Low Brass is suitable for
  festivals, recitals, concerts and other special occasions. Moderately skilled
  low brass musicians (high school and above), including baritone, euphonium
  and tuba, will find Funeral March rewarding for performers and listeners
  alike.

Quartet No. 5

Trombone Quartet

<p>Low Brass musicians of all skill levels will enjoy this arrangement of the famous prayer from Humperdinck's opera. Tbn.1 goes to high Ab. Suitable for concerts, recitals, and other occasions. Set of parts includes Score, Trombone 1, 2, 3, Bass Trombone/Tuba</p>

Children's Prayer

Advancing brass musicians will enjoy this "rag" from the King of Ragtime. Scored for 2 trumpets, horn, trombone, euphonium &amp; tuba. Tpt. 1 goes to high A. Suitable for concerts, recitals &amp; other occasions. Set of parts includes Bb Trumpet 1 &amp; 2, F Horn, Trombone, Euphonium, Tuba.

Reflection Rag

Advancing brass players will find Cantilena from Rheinbergeris Organ
  Sonata No.11 a challenging and rewarding piece to use on recital, concert and
  festival programs as well as church services and other special
  occasions.  Long, lyrical phrases are
  offset by repeated pedal octaves. 
  Performers should ensure that the tempo is not too slow to avoid
  endurance issues.  
    
    	Although this arrangement is scored for all conical instruments (including
  flugelhorns and euphonium), quintet performers should feel free to use the
  instruments available to them.

Cantilena

Moderately skilled (high school and above) low brass musicians, including
  baritone, euphonium and tuba, will find this lively MARCH rewarding for
  performers and listeners alike.This arrangement for Trombone or Low Brass
  Quartet (~5:00) is suitable for festivals, recitals, concerts and other
  special occasions. Perf9ormers and audiences alike will enjoy and appreciate
  this work.

Quartet No. 4

Quartet No. 1 for flexible Brass Quartet: i.e. 2 Trumpets
    
    &amp; 2 Trombones; or Trumpet, F Horn, Trombone, Bass
  Trombone/Euphonium;
    
    or 2 Trumpets, F Horn, Trombone. Other instrumentations are also
  possible.
    
    Quartet No. 1 is suitable for festivals, recitals, concerts and other
  special
    
    occasions. Moderately skilled musicians will find this piece rewarding for
  both performers and listeners.

Quartet No. 1

Brass Quartet

Immerse yourself in the elegant and timeless beauty of "TRIO No.1," masterfully arranged by Becky Dugan. This classical piece, originally composed by F. J. Haydn, is reimagined to captivate modern audiences while preserving its historical essence. A perfect addition to any classical repertoire, it promises to inspire and enchant. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

TRIO No.1

Brass Trio

2 EASY pieces for Beginning to intermediate Trombonists from the 19th century composer, Gurlitt. The Chorale provides legato and ensemble practice. The March develops articulation, dynamics and ensemble playing. Set of parts includes: Trombone 1, 2, 3, Bass Trombone/Tuba. Suitable for any combination of low brass instruments (euphonium, baritone, etc.). This two-movement work is appropriate for festivals, recitals, concerts or other special occasions.

Chorale and March

Quartet No. 4 is arranged for 
  flexible Brass Quartet: i.e. 2 Trumpets &amp; 2 Trombones; or Trumpet,
  F Horn, Trombone, Bass Trombone/Euphonium; or 2 Trumpets, F Horn,
  Trombone.  Other instrumentations are
  also possible. Moderately skilled musicians will find this piece rewarding
  and suitable for festivals, recitals, concerts and other special
  occasions.  Performers and listeners
  will enjoy this classical quartet.

Moderately advanced brass musicians (high school and above) and their
  audiences will enjoy several of the movements from Bach's motet, Jesu, Meine
  Freude. Movements include 4 settings of the title chorale and 2 trios.
  Advancing brass musicians will find this arrangement appropriate for
  concerts, recitals, church services and other special occasions.

Jesu, Meine Freude

Moderately skilled  low brass
  musicians (high school and above), including baritone, euphonium and tuba,
  will find Quartet No. 6 fun and rewarding for performers and listeners alike.
  Quartet No. 6 (~3:40) is suitable for festivals, recitals, concerts and other
  special occasions.  The playful themes
  make it ideal for many performance situations.

Quartet No.6

Beethoven, famous as the composer of his 9th Symphony, also wrote many
  folk-like songs such as these. These songs were arranged to help young brass
  students (e.g. middle school age) develop their musicianship through chamber
  music performance.  The contrasting
  styles of the songs help develop clean, crisp articulation, full legato
  phrasing and ensemble confidence.
    
    The flexible scoring allows for several instrumentations: Horn, Euphonium,
  Tuba; 3 Trombones; 3 Euphoniums; 2 Euphoniums &amp; Tuba and others.  Young musicians will enjoy these
  introductory chamber pieces and find them suitable for festivals,
  competitions, concerts, recitals and other special occasions.

Two Songs by Beethoven

Quartet No. 3 is arranged for flexible Brass Quartet: i.e. 2 Trumpets
  &amp; 2 Trombones; or Trumpet, F Horn, Trombone, Bass Trombone/Euphonium; or
  2 Trumpets, F Horn, Trombone.  Other
  combinations are also possible. Moderately skilled musicians will find this
  piece rewarding for both performers and listeners and suitable for festivals,
  recitals, concerts and other special occasions.

Quartet No. 3

Moderately skilled brass players and their audiences will enjoy this
  simple arrangement of an old gospel hymn. Based on the story in chapter 20 of
  John's Gospel, C. Austin Miles wrote the lyrics and music of this hymn that
  has brought comfort and hope to many Christian believers.

In the Garden

Dauprat's Sextet No. 1 is in sonata form with Largo introduction followed
  by Allegro risoluto and Piu animato closing sections. Advancing brass
  musicians will find this challenges work very rewarding. Length: ~6:45.   Set of parts includes: Score,  Bb Trumpet 1,&amp; 2, F Horn, Trombone,
  Euphonium, Tuba. Alternate parts for C Trumpet 1 &amp; 2, Eb Horn, Trombone
  &amp; Euphonium--Treble Clef, Eb Tuba (Treble Clef).

Sextet No. 1

Louis-Francois Dauprat was a horn player, teacher and composer during the
  Classical era in France. He studied at the Paris Conservatoire and in 1797
  was awarded the first-ever premier prix for the horn. The prize, a
  silver-mounted horn, is in the Musee de la Musique of the Conservatoire.
  
    
    	Dauprats six Sextets were written for his horn students to practice
  reading and playing in various keys. 
  This arrangement is for 2 Bb trumpets, F horn, trombone, euphonium and
  tuba.  Alternate parts are available
  for C trumpets, Eb horn, trombone and euphonium in treble clef and Eb tuba in
  treble clef.

Promised Land

Global Sections - CORE [DO NOT TOUCH]*

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