Bruce Muskrat

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Prop65

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A free-flowing organ accompaniment in moderate tempo sets the mood for this simple, moving setting for the ever-familiar Psalm 51:10-13 text. Harmonic structure has a pleasing sameness, melody moves easily and logically; a pleasant change in pace and useful for many occasions.

Create In Me

SATB Octavo

A men's quartet arrangement of W. O. Cushing and Robert Lowry's gospel
  song "Follow On" that incorporates a flowing melodic style with a
  taste of Southern Gospel. A must-have selection for every men's chorus.

Follow On

TTBB Octavo

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A tender, yet exciting, arrangement of a favorite gospel song. A gentle
  rocking pattern undergirds the melody line in the opening stanza. Hints of a
  "grand waltz" then lead to another key with extended arpeggios in
  the right hand that accompany a melody in the bass. An arrangement that you
  will find yourself repeating often.

Jesus Is All the World to Me

Piano Solo

A complete Spanish edition of Handel's "Messiah." A valuable
  resource for church choirs and choral groups "de habla hispana" to
  enable the Spanish-language presentation of the oratorio in its entirety.

Mesias

SATB Vocal Score without accompaniment

A 3-octave arrangement of the popular opening number from Vivaldi's
  Gloria. Alternating 16-note technique is featured in the upper bells with
  contrasting jumping octave patterns in the lower bells.

Gloria

3 Octave Handbells

A Spanish translation of “Worthy Is the Lamb” – the dramatic final chorus from Handel's Messiah – provides church choirs and choral groups "de habla hispana" a powerful addition to their repertory. The chorus gloriously follows the “forever and ever” passage with an 87-measure fugal “Amen.”

Digno Es el Cordero

A new English translation of a beloved 19th-century choral masterpiece.
  The original text "Verbe egal au Tres-Haut," is a French paraphrase
  by Jean Racine of a Latin hymn from the breviary for matins. Consors paterni
  luminis. Muskrat's new English translation is available in both SATB and TTBB
  voicings with piano and instrumental obligato accompaniment.

Cantique de Jean Racine

The Spanish edition of the first chorus – “And the Glory of the Lord” – in Handel´s Messiah will surely be a favorite of church choirs and choral groups “de habla hispana.” An expression of praise, the chorus concludes a section of the oratorio that tells of God´s promise of hope through the prophetic texts from the book of Isaiah.

Y la Gloria de Jehovah

The beloved Christmas chorus “For Unto Us a Child Is Born” from Handel´s Messiah is here translated into Spanish for church choirs and choral groups “de habla hispana.” The chorus features a contrast between extended melismatic sections requiring some degree of vocal dexterity with grand homophonic passages that express a sense of joy and triumph in recounting the various expressions and names of God taken from Isaiah´s prophetic text.

Porque un Niño es Nacido

A Spanish translation of one of the shorter choruses from Handel’s Messiah. Church choirs and choral groups “de habla hispana” will delight in sensitively performing Renaissance-style a cappella passages that alternate with more joyous and uplifting accompanied sections.

Por el Hombre Llegó la Muerte

A new Spanish edition of “Behold the Lamb of God” – the opening chorus in Part II of Handel’s Messiah The opening chorus in Part II of Handel’s Messiah – provides a Lenten resource for church choirs and choral groups “de habla hispana.” The chorus focuses on Christ’s personal suffering and its key role in man’s redemption.

Mirad a Vuestro Dios

Church choirs and choral groups "de habla hispana" will want to feature this Spanish translation of the "Hallelujah Chorus" from Handel's Messiah in their presentations of concert and worship music. One of the most famous pieces of Baroque choral music and originally written for the Easter season, it has also become a popular mainstay during Christmas, as well.

Aleluya

An engaging arrangement by Bruce Muskrat for two pianos of "Puente de Palo," originally composed by Ariel Ramirez in the mid-20th century. The song features shifting cross-rhythms of the Argentine "zamba," a popular dance form from the northwest province of Salta.

Puente de Palo

Piano Duet-2 Pianos, 4 Hands

A Dixieland classic arranged for "two pianos" by a real Muskrat
  who rambled to and from Argentina for 29 years! A fun piece to play on two
  keyboards.

Muskrat Ramble

A Dixieland classic arranged for Piano "four hands" by a real
  Muskrat who rambled to and from Argentina for 29 years! A fun piece to play
  side-by-side with a friend.

Piano Duet-1 Piano, 4 Hands

Diatonic lines diverge to a hint of chromaticism. While alternating
  broken chords lead to a powerful harmonic climax, the arrangement then
  relaxes to a tranquil recall of the tune's opening phrase. An uplifting
  worship resource for every church pianist.

Fairest Lord Jesus

Winding countermelody combines with broad expansive harmonies to make
  this arrangement of a beloved gospel hymn tune an effective selection for
  prelude, offertory, or instrumental meditation.

The Lily of the Valley

Isaac Watts's classic text is set to the NEW BRITAIN hymn tune in minor mode, mirroring the descriptive crucifixion narrative. The arrangement combines unison passages with three- and four-part choral harmony. The final stanza of personal surrender and dedication breaks into joyful major tonality.  Originally published by Fine Arts Press in 1975.


[Note to editing team: In that print license fees have been paid to Lorenz through musicservices.com, this product should NOT be offered as a print-on-demand option; the only choice should be "e-print" with a 5 copy minimum]

Alas, My Saviour

2/3/4-Part Octavo

An arrangement in classic style of the KREMSER hymn tune for SATB choir with Julia Caddy Cory's text. Optional violin/flute and cello/bassoon parts provide added instrumental texture accompanied by an electronic or acoustic harpsichord. The anthem was originally published by Broadman Press in 1977.

[Note to editing team: in that print licensing fees have been paid to Broadman Press through MusicServices.com, the "print-on-demand" option should NOT be available. The product should only be offered as an "e-print" downloadable item.]

We Praise Thee, O God, Our Redeemer

Global Sections - CORE [DO NOT TOUCH]*

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