Burke & Bagley

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"Cornices" for oboe, soprano sax string quartet was conceived as an accompaniment piece to the Philip Glass work "Facades."  Cornices is also available in an arrangement for flute, oboe  string quartet.
 
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Cornices

Mixed Sextet

Le Retour du Mari Soldat is the second movement of the "Voyageur Suite." The voyageurs were French-Canadian men who paddled the canoes of explorers and fur traders from Quebec and Montreal to the regions bordering the Great Lakes and onward. This suite is based on melodies from three of their songs.  Parts for both B-flat and C trumpets are included.

Le Retour du Mari Soldat

Brass Quintet

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Voice

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Beati quorum via integra est, Qui ambulant in lege Domini: Blessed are those who go the way of integrity, Who walk the path of God's law.  For unaccompanied mixed choir with piano reduction for rehearsal only.  Duration: 2:30

Beati Quorum Via

SATB Octavo

Senor Barba Rides Again was composed in 2015 for the Nautilus Brass.  Duration approximately 3 minutes.  Both Bb and C Trumpet parts are included.

Senor Barba Rides Again

Movements include: 1. March; 2. Dance of the Sugar Plum Fairy;  3. Chocolate (Spanish Dance); 4. Coffee (Arabian Dance); 5. Tea (Chinese Dance); 6. Trepak (Russian Dance)." Optional percussion parts and trumpet parts in both Bb and C provided.

Suite from the Nutcracker

The text (below) is a poem by Walt Whitman (1819 - 1892) first published in Two Rivulets in 1876, and subsequently published in Leaves of Grass in 1900. The music was completed in January 2001. A very well written piece, in which the composer obviously understands the human voice and has the ability to create an excellent tableau that moves forward with compelling sounds as well as a finely tuned artistic sense.

To a Locomotive in Winter

Be Near Me is a setting of Canto 50 from the poem In Memoriam A.H.H. by Alfred Tennyson for unaccompanied mixed choir (SATB) or men’s chorus (TTBB). Duration ca. 5'15".
Published in 1850, the poem In Memoriam A.H.H. by the British Poet Laureate Alfred Tennyson (1809 -1892) is an extended requiem for the poet is beloved friend Arthur Henry Hallam, who died of a cerebral hemorrhage in 1833, age 22. The poem is considered one of the greatest poems of the 19th Century and was reported to be a great favorite of Queen Victoria.

Be Near Me

Instrument Type

"In the Language of Mediation" was composed in 203 for viola piano in memory of violist Ingrid Buschmann (1954-2013).  Arrangements were made in 2014 for clarinet piano and for alto saxophone piano.

In the Language of Meditation

Clarinet Solo with Piano

"In the Language of Mediation" was composed in 2013 for viola piano in memory of violist Ingrid Buschmann (1954-2013). Arrangements were made in 2014 for clarinet piano and for alto saxophone piano.

Viola Solo with Piano

Based on the tune of a hiking song that the composer's father used to sing, "The Far North Land" is available in arrangements for string quartet, clarinet quartet, flute quartet, six violas, string orchestra and wind ensemble.

The Far North Land

String Quartet

"In Seaspray, Barefoot" imagines a young person running down from sand dunes into the ocean and being chased by the waves back up into the dunes, in a playful dance. This arrangement includes a guitar accompaniment, realized from the original piano accompaniment.  Duration: approximately 2:45."

In Seaspray, Barefoot

Flute Solo

Written in 1978 while the composer studied music at San Francisco State University, Epitaph was performed on a new music concert there.  For high voice and two flutes.

Epitaph

High Vocal Score

One Thousand Dark Threads on Wet Pavement is evocative of a TV detective show: It was a sunny afternoon when the Inspector was called to the scene, but when he arrived he found only One Thousand Dark Threads on Wet Pavement.  Duration:  Approximately 1 minute.  Also available for saxophone quartet.

One Thousand Dark Threads on Wet Pavement (string quartet)

The Tree is a setting for unaccompanied SATB mixed choir of the poem by American transcendental poet Jones Very (1813 - 1880).  Composed at the 2003 Oxford Summer Institutes at Lehigh, where it received a reading by the Princeton Singers under the direction of Steven Sametz. Premiered April 2, 2004, by the American University Chamber Singers under the direction of Daniel E. Abraham. In March 2012, The Tree was named a Silver Platter Repertoire Award Winner by the editor of the ChoralNet Composition Showcase.

The Tree

The First Suite derives from three scenes of Act One of Razumov, a chamber opera based on the novel Under Western Eyes by Joseph Conrad.  Available for clarinet &amp; string quartet and for clarinet, cello &amp; piano trio. Total duration: 9 minutes.

First Suite from Razumov

Clarinet Trio Cello, Piano

"Petronila &amp; Manuel" is a sweet and romantic contemporary duet for violin &amp; guitar by Brazilian-American composer Douglas DaSilva.  Duration: ca. 5 min.

Petronila & Manuel for Violin & Guitar

Guitar Duet with Violin

The composer writes, "Green is one of the few songs I have written that seemed to have just fallen out of the sky into my head -- born whole.  It refers to a breathtaking view I saw while horseback riding at the age of 12."  Duration: 2 minutes.

Green

According to the Hebrew Bible, Og was an Amorite king of Bashan who, along with his army, was slain by Moses and his men at the battle of Edrei.  Although the histories do not indicate it, at one point it can be assumed King Og enjoyed to dance.

Og's Dance

Guitar Solo

"In Seaspray, Barefoot" imagines a young person running down from sand dunes into the ocean and being chased by the waves back up into the dunes, in a playful dance.  Duration: approximately 2:45.

Violin Solo with Piano

Cornices for flute, oboe string quartet was conceived as an accompaniment piece to the Philip Glass work "Facades."  Cornices is also available in an arrangement for oboe, soprano saxophone string quartet.

Flute/Oboe Sextet with String Quartet

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