Burnihla Music Publishing

Audio Available

Component

Delivery

Eprint Folders

Format

Grade

Instrument

Item Sequence

Large Print Edition

Marketed Status

Minimum Sell Quantity

MINTS Data Available

Product Line

Prop65

Score Available

Video Available

Getting Her Way is a spectacular addition to any advanced jazz library. This chart has something for everybody. Starting with a classic samba piano introduction, Getting Her Way's sophisticated harmonies, inventive melodies and barnburner tutti sections will make this a memorable experience for your jazz ensemble, and the stop-time interlude during the solo section will grab your audience! The written brass ranges are very moderate with C6 (optional G6) for trumpet and Ab4 for trombone, making the chart accessible for many ensembles. Included is an optional flute part, solo chords for all instruments, and fully notated rhythm section parts.

Getting Her Way

Jazz Ensemble Score & Parts

Inspired by the composer's purchase of a new Mustang, this driving rock chart will be a favorite of musicians and audiences! The simple melody is shared by members of all horn sections, while the bridge features a half-time feel, a perfect compliment to the active melodic figures. A dramatic stop-time section after the solos sets the perfect stage for the melodic recapitulation. Rhythm parts are fully notated. For maximum educational value, solo chords are provided for all instruments. Written ranges: trumpet C6, trombone Bb4.

Brand New Car

Perfect for the emerging soloist in your young jazz ensemble, Daydream is a beautifully lyrical alto sax rock ballad feature. There is no improvisation required, and the trombone 2, 3 and 4 parts are all optional. The ranges are very moderate, and judicious use of cross-cuing and unisons makes this piece very accessible. Rhythm parts are fully notated. Written ranges: trumpet F5, trombone F4.

Daydream

Crying on the Inside is a lyrical tenor saxophone rock ballad. Optional feature solo parts are also provided for alto saxophone and guitar. The dramatic and suspenseful opening introduces a beautiful, but simple melody first played by the solo tenor saxophone, then the full ensemble in dramatic harmony. An emotionally moving bridge section leads to the return of the original melody. A full transcription of the recorded tenor solo is included. Solo chords are provided for all instruments. Rhythm parts are fully notated. Written ranges: trumpet G5, trombone F4.

Crying on the Inside

Mensa, Baby! is a remarkable theme and variations for more advanced groups. The theme is introduced by a brief trombone chorale, which goes straight to a driving rock feel. Other elements include an alternating 7/8, 9/8 feel (but written in 4/4), a waltz section with occasional hints of 5/8 and 7/8, a Baroque fugal section and a couple of memorable band tutti sections. Solo chords are provided for all instruments, and the brass ranges are moderate for this level. The rhythm section parts are fully notated and the written ranges are Db6 for trumpet and F4 for trombone. Exhibiting the versatility of your band, this would be a great festival or contest chart!

Mensa, Baby!

This exciting funk chart is an excellent showcase for jazz ensembles. The groove is there right from the first bar and the stop-time middle section will amaze! The rhythm section parts are fully notated and solo chords are provided for all instruments. Written ranges: trumpet Bb5 (opt. C6), trombone G4.

Bandar's Five-Year Funk

Parts

Two Heads Are Better Than One is an imaginative, easy-swingin' bluesy chart for developing jazz bands. Each of the two melodic heads makes its own statement, but the magic happens when they play simultaneously! There's a nice sax section soli, and then breaks with drum fills before solo chords are provided for all instruments. Important... because all your students will want to solo on these accessible chords. Supplemental parts are provided for clarinet, flute and French horn. The rhythm parts are fully notated and the written ranges are G5 for trumpet and F4 from trombone.

Two Heads Are Better Than One

Jazz Ensemble Part

Out of the Fog is a beautiful rock ballad flexible solo feature that is perfect for clarinet, soprano saxophone, alto saxophone or tenor saxophone soloists. The chordal structure is quite diatonic, making improvisation very accessible for even an emerging soloist. The brass ranges are very moderate and simple, while the powerful background figures provide solid support for the soloist. The rhythm section parts are fully notated and the written brass ranges are: trumpet A5, trombone F4.

Out of the Fog

Copyright Year

Your band will love the full tutti section with the short drum breaks on this catchy swing tune! Ranges are moderate to ensure a feeling of security. The ad-lib solo section is a very accessible minor blues progression - a wonderful, safe way to get your soloist improvising in a low-risk environment. Solo chords are provided for all instruments. Optional supplemental parts are provided for flute, oboe, clarinet, French horn, bass clarinet, and tuba. Rhythm parts are fully notated. Trumpets play up to a G, and trombone to an F.

G-Pop

French Toast is a confident rock chart full of energy and excitement! An infectious angular melody and a two-bar "hook" really grab the listener! The beautiful bridge section is a wonderfully written section to briefly showcase two of your saxophonists. Rhythm parts are fully notated. For maximum educational value, solo chords are provided for all instruments. Written ranges: trumpet G5, trombone Gb4.

French Toast

Ragtop Heaven is the sequel to this composer's popular Brand New Car, released in 2009. The brass ranges are very moderate for this level, and the tempo moves right along in a swing fashion. There's a tutti unison section that really roars! The rhythm parts are fully notated, and the written ranges are C6 for trumpet and Ab4 for trombone.

Ragtop Heaven

Here's one of Neil Yorke-Slader's most imaginative compositions! The introductory chorale paints a beautiful picture of the sun rising over the north coast of Prince Edward Island. Switching gears smoothly, it moves into a piano ostinato, followed by mesmerizing trombone scoring that evokes waves, followed by the featured and hauntingly beautiful soprano saxophone solo that is both written and improvised. Optional solo parts are included for tenor saxophone and clarinet. The rhythm section parts are fully notated, and the written brass ranges are to C6 (optional F6) for trumpet and G4 for trombone. Here is a wonderful change-of-pace chart!

A Day at Stanhope

Editors Choice Year

Feature your aspiring trombone soloist with this soulful rock ballad. The range is very moderate to ensure a feeling of security, the solo part is mostly written, and the accessible improvised solo section is a ii-V progression with solo chords provided. Here is a safe way to get your soloist improvising in a low-risk environment. In addition to the solo part, the full ensemble backgrounds are plentiful, giving the full ensemble ample exposure. Two scores and optional supplemental parts are included for flute, clarinet, bass clarinet, horn in F, and tuba. As replacements for the trombone soloist, alternate solo parts are included for alto saxophone or trumpet/flugelhorn. Written brass ranges: trumpet G5, trombone F4. Very nice!

Wistful

Poolside is a wonderful ballad that works for all levels of jazz ensembles. The very moderate ranges make it accessible, and allow the focus to be on the trademark Basie ballad style. Rhythm parts are fully notated, and a written piano solo is provided. Written ranges: trumpet G5, trombone F4.

Poolside

This chart is a refreshing and imaginative version of Canada's national anthem. It exudes a nice, relaxed medium-tempo swing style. Practical and inspired orchestration results in all sections having an opportunity to play the melody. There's also a creative transition into and out of a 3/4 section that is truly effortless. Two scores and optional supplemental parts are provided for flute, clarinet, bass clarinet, horn in F, and tuba. An optional short tenor saxophone solo section is included. The written brass ranges are G5 for trumpet and F4 for trombone, and the rhythm section parts are fully notated. It's the Canadian national anthem and a very nice swing chart!

O Canada

Finding Peace is a tender tenor saxophone rock ballad written in memory of the composer's wife. It combines the qualities of sadness and hope in a memorable setting for young jazz ensemble. Careful and simple scoring of the background figures produces a bittersweet cushion for the gentle melodic statement. Along with solo chords, the transcribed written solo is provided. A substitute solo part is also provided for alto sax. The rhythm parts are fully notated and the written brass ranges are: trumpet G5, trombone F4.

Finding Peace

Boris and Natasha is an inspired rock shuffle for jazz ensembles. The melody is supported by sophisticated, yet accessible harmonies and an infectious groove. A switch to swing for the chorus is smooth and easy to feel. Check out the mysterious section after the solos, and the famous spy quote in the ending. This chart will provide a memorable and fun experience for your ensemble! The rhythm section parts are fully notated. Written ranges: trumpet G5 (opt. C6), trombone F#4.

Boris and Natasha

Farewell is a heartwarming rock ballad featuring solo alto saxophone. The tender melodic statement tells the story as the alto soloist plays the rich written melody. The soloist has an opportunity to stretch out in an improvised section. Later in the chart, the brass tutti  will lift you out of your seat! The rhythm parts are fully notated and the written ranges are C6 for trumpet and F4 for trombone. A perfect feature for an accomplished alto saxophonist!

Farewell

Cathy's Army is a tender ballad featuring solo trombone. The other trombone parts are optional, making this a perfect chart for a band with incomplete instrumentation. In fact, the solo part can be played by an additional tenor or baritone saxophonist, making the piece suitable even for a band without trombones! No improvisation is required. The rhythm section parts are fully notated, and the written brass ranges are: trumpet G5, trombone F4.

Cathy's Army

Santa Monica is a spectacular Latin chart that burns right from the beginning. The opening melodic statement is introduced by a quartet of Alto Sax 1, Baritone Sax, Trumpet 2 and Guitar, with an optional flute part. The full band unison section builds and builds into the solo section. Coming out of the solo section, the band goes into stop-time, building and building to an exciting solo section playable by any of the five saxophones. The brass ranges are very moderate for this difficulty level, making the chart accessible to many ensembles. The rhythm section parts are fully notated with written brass ranges to: trumpet C6, trombone G4. A terrific festival chart!

Santa Monica

Global Sections - CORE [DO NOT TOUCH]*

Favicon

Need Help? Contact Us or call 1-800-345-6296    Live Chat

Header

Don't have a business account? Create one

Products