C. Sharp Music, Inc.

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Large Print Edition

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Prop65

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Feature your lead trombonist in this beautiful ballad that first appeared in the Charlie Chaplin film "Modern Times" (1936). Lush ensemble writing and a written-out improv-type solo make this a delightful change of pace for concert and assessment programs.

Smile

Jazz Ensemble Score & Parts

Instrument Family

Instrument Type

Titles include: Chicago; My Melancholy Baby; Who's Sorry Now; Alexander's Ragtime Band; St. Louis Blues; Maple Leaf Rag; Down By the Riverside; Beale St. Blues; The Stars and Stripes Forever and Waiting For the Robert E. Lee

New Orleans Favorites, Vol. 2

Clarinet (5" x 7")

Copyright Year

This antebellum anthem is transformed into a chorale-style piece perfect for a mid-program change of pace. It features amazing scoring and incredibly lush harmonies!

Carry Me Back to Old Virginia

The composer serves up an impressive musical presentation based on the hymn How Great Thou Art. Artistic scoring and stylistic hints of Brahms and Beethoven add a special touch to this endearing melody that will make this an ideal work for concerts or as a festival assessment selection.

In Humble Adoration

Concert Band Score & Parts

Ensemble

The popular and energetic Can-Can from Orpheus in the Underworld is arranged for standard brass quintet plus a euphonium.

Can-Can

Brass Sextet

Editors Choice Year

This chart is a Latin treatment of the familiar Christmas carol and focuses on carols in a minor key. It also includes quotes from several other Christmas tunes, also in minor keys. At one point the lower instruments play together in a unison passage. Two solo sections allow you to feature several players in the group with a lot of built-in flexibility. All solos are written and also include chord changes. A chart-specific guitar chord sheet is included with fretboard diagrams, chord symbols, and notated chords. A nice change-up for Christmas programs!

God Rest Ye Mambo, Gentlemen

Expose your young band to significant literature early on with this excerpt from Tchaikovsky's famous fantasy overture. Lyrical writing with colorful harmonies makes this an ideal piece for concerts and assessments.

Andante from Romeo and Juliet

Voice

Voice Category

This gospel-style arrangement features a solo to begin and end the piece. A brief a cappella section will challenge your singers with close harmonies. Celebrate the transformative love and sacrifice of Jesus with this powerful hymn of the faith.

The Old Rugged Cross

SATB Octavo

The Flintstones live again in this stirring arrangement. The original intro and outro are preserved while framing new material with instrumental features, written-out solos, and an exciting shout chorus. Hang on, Wilma!

(Meet) The Flintstones

James Weldon Johnson's inspirational hymn dates back to the Harlem Renaissance. This beautiful arrangement is scored to be playable with voices or as a stand-alone concert band piece. Accessible to bands of all sizes and levels.

Lift Every Voice and Sing

Your visit to the French Quarter begins with the clock tower in Jackson Square chiming the hour. Then a parade down Bourbon Street takes you to the club where a trad ensemble belts out Li'l Liza. For bands with a strong clarinet doubler on tenor 1 or alto 1.

Li'l Liza Jane

A fresh treatment of Irving Berlin's classic in a salsa style alternating with swing passages. Written-out solos with changes are provided for trumpet 2 and alto sax 1.

Blue Skies

Here is the trombone section feature you've been looking for! The Sing, Sing, Sing style and ensemble writing will give your trombones plenty to sink their teeth into. The lead trumpet range extends to high C.

Attack of the Killer Trombones

Here's a spooky piece accessible to bands of virtually every level. Shades of "Beetlejuice," graveyards, and haunted mansions will have your band clamoring for this one!

A Scary Scherzo

An outstanding introduction to the march form for developing bands, the A-B-A form makes for easy preparation, and limited ranges and rhythmic responsibilities make for smooth sailing. Perfect for your next concert program.

March Forward

The Irving Berlin classic gets the Sing, Sing, Sing treatment here. Let your drummer shine on this fun romp!

Puttin' on the Ritz

Do you ever have requests for your group to play some New Orleans music? Or maybe you simply want to introduce your students to this traditional and fun style. This accessible collection of ten favorite and authentic-sounding New Orleans tunes will have your players feeling right at home in no time! These march-size books are formatted with the ensemble parts for each tune on the left page with the corresponding written-out solos on the right page. The book size also comes in handy when using lyres. You can mix and match your instrumentation by buying individual books, or you can buy the four essential books in the clarinet, trumpet, trombone and tuba set, or you can purchase the full set which includes all eight books and full score at a thrifty price. Titles include: Back Home Again in Indiana; Basin Street Blues; Bill Bailey, Won't You Please Come Home?; Bourbon Street Parade; Just a Closer Walk - Second Line; St. James Infirmary; That's a-Plenty; Tiger Rag; Way Down Yonder in New Orleans and When the Saints Go Marching In. Highly recommended!

New Orleans Favorites

The powerful Puccini aria, made famous beyond the opera world by the late Luciano Pavarotti, is expertly scored here for the wind band. A perfect lyrical interlude for concert and assessment programs.

Nessun Dorma from Turandot

Capture lightning in a jar with this original piece that musically illustrates the joy of a summer evening with children chasing those magical creatures. Accessible to bands of almost every level.

Lightnin' Bugs!

Return to the cool jazz movement of the 1960s with this fascinating original piece. A great solo feature opportunity for the lead tenor player.

Javelin

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