Cambiata Press

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This simple three-part arrangement contains three stanzas (1, 3, &amp; 4) of the hymn closing with a nice broad setting of the "Beautiful Savior" stanza.  The texture is homophonic and a "for rehearsal only" piano accompaniment is included.

Fairest Lord Jesus

Cambiata, Baritone, Bass Octavo CBB,TBB (All Boys), & STB (Mixed)

Immerse yourself in the operatic adaptation of a classic American tale, "Huckleberry Finn." Composed by COLLINS D and PLACEK R, with arrangements by PLACEK R, this piece masterfully captures the spirit of adventure and friendship. Perfect for opera enthusiasts eager to experience a fresh, lyrical perspective on an iconic story. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Huckleberry Finn

Opera Vocal Score

Voice Subcategory

Bob Ashton has written and composed two separate Christmas songs: One, the text of which is sacred; Born a Savior, and one which is secular; It's Almost Like Heaven. Using a Contemporary-Romantic musical style, he creates a piano accompaniment that brings the two songs together in a fresh and unique two-part arrangement for all treble boys or girls or a mixed arrangement for boy and girl trebles and cambiatas. The all-boys voicing is either Treble and Cambiata, or Tenor and Cambiata.

Two Christmas Partner Songs

Two-Part Mixed Two-part  SC, SA, TC

True Gift of Christmas

SSCB

Elevate your choir's repertoire with "Sanctus" by K. Newbury. This distinguished church anthem masterfully blends solemnity with uplifting melodies, ideal for common service and special occasions. Immerse your congregation in a profound musical experience that resonates with the timeless spirit of sacred gatherings. A truly divine addition to your collection. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Sanctus

SATB Octavo SATB Acappella

This original composition may serve as a processional to a worship service of music or a concert. After the choir sings the introduction from the entrance of the sanctuary or concert hall, they then process forward as the soloist, who stands in the choir loft or on the stage, sings the solo. After the choir is in place, the selection finishes with the "Amen."   The recording is a live concert, so extraneous sounds are present when the soloist enters the stage and then later with the choirs and director enters.  The words sung by the choir are from the first published edition of the work.  The current printed music is the second edition, hence, the words are somewhat different.

We Sing with Grace in Our Hearts

Four-Part SSCB or SACB

Theron Kirk's Praise the Lord All Ye Nations is a great celebratory piece for worship services, choral festivals, and concerts. It is filled with the bright, bombastic sounds of the brass, contemporaneous chordal structure, energy, and excitement. The online audio files contain the piano accompaniment. The recorded audio files display the piece with brass accompaniment. It is written to be sung as three- or four-part variable voicing although the printed copy contains all four parts. If the director desires the choir to sing only three parts, just omit Part IV. It sounds fine without it. Individual brass parts are published with the printed octavo.

Praise the Lord All Ye Nations

Directors may choose to sing these spirituals with their choruses or classes (and to listen to them online) as singles; or as a trilogy (all three together).  Siltman offers a final ending to each piece and a modulatory section from the previous piece to the next in the printed copy of the trilogy.  The online rendition of each individual piece brings the piece to a final ending.  The online rendition of the trilogy includes the final ending and the modulation to the next piece just as it occurs in the printed copy.  To access the individual pieces, please click the related items tab above.

Spiritual Trilogy

Cambiata, Baritone, Bass Octavo CBB, TTB & STB

Delve into the elegant world of Renaissance music with "Fine Knacks for Ladies," masterfully composed by John Dowland and arranged by McCray. This piece offers a captivating choice for  secular concerts, showcasing intricate harmonies that elegantly blend the past with the present. Perfect for enhancing any choral repertoire. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Fine Knacks for Ladies

SATB Octavo SATB a Cappella

This is a secular song with a sacred sense.  The lyrics are not tied to religion directly except that they carry a message of respecting one's self and caring for others.  It is intended for all-male groups, but it may be sung by mixed groups as well.  It is homophonic and easy.  A small challenge for some early adolescent boys will be the melodic chromaticism, but it will be no challenge for those with singing experience.  Excellent for worship or concert.

Brother Show Us the Way

Cambiata, Cambiata, Baritone, Bass Octavo CCBB,TCBB (All Boys), & SCBB,SATB (Mixed)

Mixing Melodies Makes Marvelous Music is a unique series of compositions written for high, medium-high, medium, and low voices to be sung as solos, duets, trios, quartets, or in a choral setting. Each part is written to be sung alone or in combination with any of the other parts. Another unique feature is that the parts are limited to the ranges of singers who are experiencing vocal mutation although they may be sung by people of all ages provided their voices are suitable to the range of a particular part. Often beginning readers have difficulty following one specific part in a multiple-score setting, therefore each part is published separately to aid singers who are learning to read music.

Four-Part Octavo Choral Score

The pieces published in the Nostalgia Choral Series are written and arranged in the various popular styles of the recent past. �The late '60's and early'70's bring back memories of the music of the "hippie" generation and those who followed -- folksy and highly syncopated with lyrics characterized by rebellion, group love, and a guest for freedom. �Although choral settings, by their very nature, can never capture the absolute authenticity of the original popular pieces, they can capture the essence of their sound. �In the '70's, singers fell in love with choral settings of pieces written by The Carpenters, Simon and Garfunkel, John Denver, The Beatles, and others. These pieces spawned many originals by the choral composers of that day who were capable of recreating the popular sound chorally and coloring it with their own personal style. �If you were alive during that time, these pieces should push your nostalgia button. And today's singers will discover the choral excitement and beauty of this by-gone era through these pieces.

Hang in There but Hang Loose

SSCB 2 or 3-Pt. SC(B)/SA(B)/TC(B)

Social Commentary, composed by RUSSAVAGE, is a thought-provoking collection of  Madrigals &amp; Chansons that echo the complexities of modern society. This expertly crafted score intertwines traditional vocal harmonies with contemporary themes, making it an essential repertoire for choirs seeking to perform meaningful and reflective music. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Social Commentary

SATB Octavo

This is a setting of Mildred Plew Merryman's delightful 19th century poem by the same name.  It is a great novelty piece creatively set to music by David Peninger.  This unique and crowd pleasing novelty piece requires a moderate to excellent pianist and singers with relatively strong musical skills.  It will take a little effort to learn, but the result will be gratifying.

Pirate Don Durk of Dowdee, The

SACB SATB or SACB

Key fo F Major. This masterwork has been adapted for singing groups containing changing voices.  With the four-part arrangements, an attempt has been made to maintain the authenticity of the work with only enough changes to conform to the range and tessitura limitations of the early adolescent singer. Two- and three-part arrangements have been simplified and re-written, yet maintaining the spirit of the original.

Let Us Sing of the Lord's Wondrous Story

Four-Part Octavo SSCB/SACB/SSAB/SSAT

This masterwork has been adapted for singing groups containing changing voices.  With the four-part arrangements, an attempt has been made to maintain the authenticity of the work with only enough changes to conform to the range and tessitura limitations of the early adolescent singer. Two- and three-part arrangements have been simplified and re-written, yet maintaining the spirit of the original.

Life of the Gypsy-Anvil Chorus

This work was arranged by Walter Ehret, one of the most prolific arrangers of choral music in the history of American music education.  Under various pseudonyms (and his own name) he arranged for most of the major publishers over a 50 year period.  He was a pioneer in educational music publishing and a man with great talent.  He was one of the first arrangers to use SAB voicing.  This traditional German Carol was initially set for SAB voices, but it has been edited to be suitable for both SAB and SCB.  Those boys whose voices have just begun to change may be happier singing Part II which is better suited to their range.  Optional notes have been added to Part III to accommodate boys for whom the comfortable singing range is either too high or too low.

Joseph Dearest, Joseph Mine

Three-Part Treble SCB, SAB or CBB

This Train is an American folk song kin to both the African-American spiritual and the county-gospel genre.  It has no direct reference to God, but it speaks of a train that is bound for glory.  The three-part setting is one of Bob Siltman's most popular arrangements.  It is now available in both two and three parts.  In the three-part voicing, Part I is for Cambiata; Part II for Adolescent Baritone I; and Part III for Adolescent Baritone II.  Both settings may be sung with mixed groups as well.

This Train

Three-Part Mixed Octavo (CBB, CTB, STB)

This lively folksong of Guyana is associated with a children's game involving creative movement. Dr. Victor Bobetsky, Director of the Hunter College Teacher Education Program in Music, and the arranger for Limba, Limba Sally, shared the following information he learned from Gillian Richards-Greaves, one of his students, who grew up in Guyana:  Children playing this song/game create their own verses and dance movements that describe their unique personality or physical characteristics.  For example, a tall child might sing, "No matter you see me tall, so" while describing his/her tallness through dance movements.  Another child might sing, "No matter you see me proud, so" while describing his/her feelings through dance movements.  In this arrangement of the song, the adjectives, "tall" and "short" are used.

Limba, Limba Salley

Three-Part Treble Octavo SSC/SAC/SSA/CBB

The pieces published in the Nostalgia Choral Series are written andarranged in the various popular styles of the recent past.  The late '60's and early'70's bring back memories of the music of the "hippie" generation and those who followed -- folksy and highly syncopated with lyrics characterized by rebellion, group love, and a guest for freedom.  Although choral settings, by their very nature, can never capture the absolute authenticity of the original popular pieces, they can capture the essence of their sound.  In the '70's, singers fell in love with choral settings of pieces written by The Carpenters, Simon and Garfunkel, John Denver, The Beatles, and others. These pieces spawned many originals by the choral composers of that day who were capable of recreating the popular sound chorally and coloring it with their own personal style.  If you were alive during that time, these pieces should push your nostalgia button. And today's singers will discover the choral excitement and beauty of this by- gone era through these pieces.

Praise Thee, Lord

Four-Part Octavo SSCB or SACB

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