Choral Music

Concert & Festival

Madrigals

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Shawnee Press

This sprightly madrigal with its light and joyous feel has been adapted for SAB voices and given the option to be performed a cappella or with the supportive piano accompaniment. This edition also provides the full French text, a full pronunciation underneath the French text in the score, and a singable English version for added flexibility.

Je Ne Suis Moins Aimable

SAB Octavo opt. Piano Accompaniment

Editors Choice Year

This arrangement turns the 1999 Smash Mouth hit into an English madrigal. Using wonderful harmonic progressions and a tune that most will recognize from the "Shrek" movies, this a cappella piece is a fun way to introduce the genre to young singers and a novel change of pace for more experienced singers. Very clever!

All Star

SATB Octavo

Copyright Year

With this follow-up to the top-seller All Star (as an English Madrigal), this fun madrigal adaptation of the Spice Girls hit from the 1990s is another fun way to teach this genre to young singers, and sure to be a hit for your audience! Clever part-writing techniques and harmonic progressions make this familiar melody a standout novelty selection!

Wannabe

Hal Leonard Corporation

Introduce your students to the famous sixteenth-century French chanson with this excellent edition by John Leavitt.  French and English texts are included, with a detailed pronunciation guide. Also available for mixed or treble choirs, a cappella, this belongs in every choral library! Highly recommended!

Je Le Vous Dirai!

Excelcia Music Publishing, LLC

This classic French madrigal is a teaching staple and concert highlight. Perfect for teaching precision and independence of line, this polyphonic Renaissance piece can be performed a cappella or with the optional piano accompaniment in the style of a lute. In French throughout, and it's just fun to sing!

Il est bel et bon

Continuing the success of choral pop titles sung "as an English madrigal," we bring you this arrangement using the hit DNCE tune! This is a fantastic way to teach the genre, have fun in rehearsals, and create a crowd pleaser for any concert. Make sure you check out Wannabe (as an English Madrigal) and All Star (as an English Madrigal) to add to your library as well!

Cake by the Ocean

Boosey & Hawkes, Inc

With text taken from Shakespeare's Twelfth Night; Measure for Measure and Much Ado About Nothing, this three-movement work is well conceived for more experienced choral groups. It is consistently a conductor's choice for festival choirs year after year.

Three Madrigals

Alfred Music Publishing

Introduce your choir to a cappella madrigal singing with this wonderful Thomas Morley classic designed especially for young singers by Russell Robinson. This edition sounds full and captures all the spirit and joy of madrigal singing. Suitable for large choirs as well as small groups, you can add this work to your choral library and use it year after year. An excellent teaching piece, it is a standard at contest and festival time, too.

Sing We and Chant It

Series

This well-known Italian madrigal by Orazio Vecchi is offered in two voicings, enabling singers to be successful while staying true to the style of the period.

Fa Una Canzona

Heritage Music Press

The festive style of this high-energy original will add a colorful flair to any program! Jaunty accents and staccatos in the middle "Hey! Ding-a dong" sections highlight the wonderful interplay between voice parts and add to the merriment as the piece builds to a thrilling climax. Useful for Christmas or any time of year!

Throw Open Your Shutters!

Madrigals have many teaching moments, and they're fun to sing! Like volume one, these pieces are especially written to develop independent singers with polyphony and a cappella singing. This set includes We Be Three Poor Mariners by Thomas Ravenscroft and The Cuckoo Has Fallen to His Death by Johann Stephani.

Two Madrigals for the Developing SAB Choir

SAB Octavo

This classic French chanson is skillfully arranged for three-part mixed choirs. Independent vocal lines, staccato and legato phrasing, and the a cappella setting provide wonderful learning opportunities for developing choirs.

Madrigal singing has long been a staple of the choral repertoire, particularly for the development of independent singers with the use of polyphonic harmony. And, they're fun to sing! Here are two madrigals for the price of one, arranged in a simpler three-part setting for younger or smaller choirs: Do You Not Know? by Thomas Morley and Full Fathom Five by Robert Johnson.

Preserving the harmonic structure and feel of Gastoldi's original madrigal, this arrangement is perfect for developing choirs looking to sing music from the Renaissance. Conservative ranges, optional accompaniment for piano and flute, and pronunciation guides for the Italian text maintain accessibility, while the spirited vocal writing makes this selection so much fun to sing!

L'innamorato

Three-Part Mixed Octavo w/ opt. Piano and Flute

Arranged as a joyful processional, this 14th-century Latin motet can be sung completely a cappella or accompanied by hand drum and tambourine. This short work includes an optional repeating section that may be sung as many times as necessary. A perfect concert opener at any time of year.

Alle Psallite

SATB Octavo opt. Hand Drum and Tambourine

These two short Renaissance gems have been carefully arranged for developing choirs: Inimici Autem and Alleluia, Laus et Gloria. Special care has been given to retain the beautiful chord structure and progression of the original four-part work, and teaching opportunities abound. Latin pronunciation and translation guides are included, along with performance notes from the arranger.

Two di Lasso Motets

This little balletto, originally composed for five-part mixed voices, is arranged for either four-part mixed or three-part treble. The German text of this spirited a cappella work, alternating with "fa la la," sings beautifully and is not difficult to learn. An English paraphrase is included in the score.

Tanzen und springen

E.C. Schirmer Music Co.

This excellent 172 page collection includes titles such as Sing We And Chant It; April Is In My Mistress' Face; Now Is The Month Of Maying; My Bonny Lass; Shoot False Love I Care Not; Flora Gave Me Fairest Flowers; Adieu Sweet Amarillis; The Silver Swan; In These Delightful Pleasant Groves; Matona Lovely Maiden; I Know A Young Maiden Wondrous Fair; O Eyes Of My Beloved; So Well I Know Who's Happy and many more by composers such as Morley, Wilbye, Weelkes, Byrd, Gibbons, Purcell, DiLasso, Vecchi and more. A superb collection for any good choral library!

The A Cappella Singer

SATB Choral Score

Voice Subcategory

Perfect for concert and festival use, this budget-stretching resource includes five madrigals from Renaissance composers Thomas Greaves, Thomas Morley, and Thomas Weelkes. Expertly edited and beautifully engraved, this curated collection of classic a cappella works is a fantastic addition to your choral library. Titles: Come Away Sweet Love; Fyer, Fyer, My Heart; Hark, All Ye Lovely Saints; Madrigal for Christmas and To Shorten Winter's Sadness.

Five English Madrigals

SSATB Choral Score

BriLee Music Publishing

Adapted to be accessible to middle school voices, Hassler's madrigal is arranged with conservative ranges, piano support, and the option to sing in either German or English. Bright and buoyant, it offers singers engaging rhythmic energy and plenty of opportunities to showcase crisp articulation and dynamic contrast.

Tanzen und Springen

Three-Part Mixed Octavo

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